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|---|---|---|---|
| 001 | 197044 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232949.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220524t20222016stk fo d z eng d | ||
| 010 | _a2015298176 | ||
| 019 | _a(OCoLC)1302165117 | ||
| 020 |
_a9780748694846 _qprint |
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| 020 |
_a9780748694853 _qPDF |
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| 024 | 7 |
_a10.1515/9780748694853 _2doi |
|
| 035 | _a(DE-B1597)9780748694853 | ||
| 035 | _a(DE-B1597)614259 | ||
| 035 | _a(OCoLC)1301548065 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPN1995.9.H45 _bP85 2016 |
| 050 | 4 |
_aPN1995.9.H45 _bP85 2016 |
|
| 072 | 7 |
_aPER004030 _2bisacsh |
|
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPullen, Christopher _eautore |
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| 245 | 1 | 0 |
_aStraight Girls and Queer Guys : _bThe Hetero Media Gaze in Film and Television / _cChristopher Pullen. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2016 | |
| 300 | _a1 online resource (200 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aExamines the emergence of gay male and female heterosexual alliances within contemporary mediaExploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the 'hetero media gaze' and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms.Key featuresReveals the impact of neoliberalism within minority representations in contemporary mediaOffers an inter-cultural and interdisciplinary approach, in revealing new linkages between social agency and media consumptionDefines new historical approaches in exploring the history of queer representation within the media | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 | _aGay men. | |
| 650 | 0 | _aHeterosexual women on television. | |
| 650 | 0 | _aHeterosexuality in motion pictures. | |
| 650 | 0 | _aHomosexuality in motion pictures. | |
| 650 | 0 | _aHomosexuality on television. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748694853?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748694853 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748694853/original |
| 942 | _cEB | ||
| 999 |
_c197044 _d197044 |
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