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020 _a9780812219241
_qprint
020 _a9780812202014
_qPDF
024 7 _a10.9783/9780812202014
_2doi
035 _a(DE-B1597)9780812202014
035 _a(DE-B1597)449057
035 _a(OCoLC)979577790
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT004290
_2bisacsh
082 0 4 _a823/.7
084 _aonline - DeGruyter
100 1 _aGalperin, William H.
_eautore
245 1 4 _aThe Historical Austen /
_cWilliam H. Galperin.
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2013]
264 4 _c©2003
300 _a1 online resource (296 p.) :
_b4 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tPART I. Historicizing Austen --
_t1. History, Silence, and "The Trial of Jane Leigh Perrot" --
_t2. The Picturesque, the Real, and the Consumption of Jane Austen --
_t3. Why Jane Austen Is Not Frances Burney: Probability, Possibility, and Romantic Counterhegemony --
_tPART II. Reading the Historical Austen --
_t4. Lady Susan and the Failure of Austen's Early Published Novels --
_t5. Narrative Incompetence in Northanger Abbey --
_t6. Jane Austen's Future Shock --
_t7. Nostalgia in Emma --
_t8. The Body in Persuasion and Sanditon --
_tNotes --
_tIndex --
_tAcknowledgments
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSelected by Choice magazine as an Outstanding Academic TitleJane Austen, arguably the most beloved of all English novelists, has been regarded both as a feminist ahead of her time and as a social conservative whose satiric comedies work to regulate rather than to liberate. Such viewpoints, however, do not take sufficient stock of the historical Austen, whose writings, as William Galperin shows, were more properly oppositional rather than either disciplinary or subversive.Reading the history of her novels' reception through other histories-literary, aesthetic, and social-The Historical Austen is a major reassessment of Jane Austen's achievement as well as a corrective to the historical Austen that abides in literary scholarship. In contrast to interpretations that stress the conservative aspects of the realistic tradition that Austen helped to codify, Galperin takes his lead from Austen's contemporaries, who were struck by her detailed attention to the dynamism of everyday life. Noting how the very act of reading demarcates an horizon of possibility at variance with the imperatives of plot and narrative authority, The Historical Austen sees Austen's development as operating in two registers. Although her writings appear to serve the interests of probability in representing "things as they are," they remain, as her contemporaries dubbed them, histories of the present, where reality and the prospect of change are continually intertwined.In a series of readings of the six completed novels, in addition to the epistolary Lady Susan and the uncompleted Sanditon, Galperin offers startling new interpretations of these texts, demonstrating the extraordinary awareness that Austen maintained not only with respect to her narrative practice-notably, free indirect discourse-but also with attention to the novel's function as a social and political instrument.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650 0 _aLiterature and history
_zGreat Britain
_xHistory
_y19th century.
650 0 _aWomen and literature
_zEngland
_xHistory
_y19th century.
650 4 _aAutobiography.
650 7 _aLITERARY CRITICISM / Women Authors.
_2bisacsh
653 _aAutobiography.
653 _aBiography.
653 _aCultural Studies.
653 _aLiterature.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9780812202014
856 4 0 _uhttps://www.degruyter.com/isbn/9780812202014
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780812202014/original
942 _cEB
999 _c198089
_d198089