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001			198255
003			IT-RoAPU
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008			220424t20132002pau fo d z eng d
019			_a(OCoLC)979753836
020			_a9780812236569 _qprint
020			_a9780812203769 _qPDF
024	7		_a10.9783/9780812203769 _2doi
035			_a(DE-B1597)9780812203769
035			_a(DE-B1597)449212
035			_a(OCoLC)859161731
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004120 _2bisacsh
082	0	4	_a820.9/1
084			_aonline - DeGruyter
100	1		_aSudan, Rajani _eautore
245	1	0	_aFair Exotics : _bXenophobic Subjects in English Literature, 172-185 / _cRajani Sudan.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2013]
264		4	_c©2002
300			_a1 online resource (208 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aNew Cultural Studies
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _t1. Institutionalizing Xenophobia: Johnson's Project -- _t2. De Quincey and the Topography of Romantic Desire -- _t3. Mothered Identities: Facing the Nation in the Works of Mary Wollstonecraft -- _t4. Fair Exotics: Two Case Histories in Frankenstein and Villette -- _tAfterword -- _tNotes -- _tWorks Cited -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aArguing that the major hallmarks of Romantic literature-inwardness, emphasis on subjectivity, the individual authorship of selves and texts-were forged during the Enlightenment, Rajani Sudan traces the connections between literary sensibility and British encounters with those persons, ideas, and territories that lay uneasily beyond the national border. The urge to colonize and discover embraced both an interest in foreign "fair exotics" and a deeply rooted sense of their otherness.Fair Exotics develops a revisionist reading of the period of the British Enlightenment and Romanticism, an age during which England was most aggressively building its empire. By looking at canonical texts, including Defoe's Robinson Crusoe, Johnson's Dictionary, De Quincey's Confessions of an English Opium Eater, and Bronte's Villette, Sudan shows how the imaginative subject is based on a sense of exoticism created by a pervasive fear of what is foreign. Indeed, as Sudan clarifies, xenophobia is the underpinning not only of nationalism and imperialism but of Romantic subjectivity as well.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650		0	_aEnglish literature _x18th century _xHistory and criticism.
650		0	_aEnglish literature _x19th century _xHistory and criticism.
650		0	_aEnglish literature _y18th century _xHistory and criticism.
650		0	_aEnglish literature _y19th century _xHistory and criticism.
650		0	_aExoticism in literature.
650		0	_aXenophobia _zGreat Britain _xHistory _x18th century.
650		0	_aXenophobia _zGreat Britain _xHistory _x19th century.
650		0	_aXenophobia _zGreat Britain _xHistory _y18th century.
650		4	_aCultural Studies.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
653			_aCultural Studies.
653			_aLiterature.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812203769
856	4	0	_uhttps://www.degruyter.com/isbn/9780812203769
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812203769/original
942			_cEB
999			_c198255 _d198255