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019 _a(OCoLC)1013957181
019 _a(OCoLC)979753838
020 _a9780812239423
_qprint
020 _a9780812203899
_qPDF
024 7 _a10.9783/9780812203899
_2doi
035 _a(DE-B1597)9780812203899
035 _a(DE-B1597)449736
035 _a(OCoLC)859161057
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT004020
_2bisacsh
082 0 4 _a810.9928709034
084 _aonline - DeGruyter
100 1 _aWilliams, Susan S.
_eautore
245 1 0 _aReclaiming Authorship :
_bLiterary Women in America, 185-19 /
_cSusan S. Williams.
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2013]
264 4 _c©2006
300 _a1 online resource (264 p.) :
_b17 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_t1. Defining Female Authorship --
_t2. Writing in and out of the Home: Parlor Culture and Authorship --
_t3. Authorizing Reception: Maria Cummins and The Lamplighter --
_t4. Revising Romance: Louisa May Alcott, Hawthorne, and the Civil War --
_t5. Contractual Authorship: Elizabeth Keckley and Mary Abigail Dodge --
_t6. Elizabeth Stuart Phelps's Ethical Authorship --
_t7. Epilogue: Amateurs and Professionals in Woolson and James --
_tNotes --
_tBibliography --
_tIndex --
_tAcknowledgments
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThere was, in the nineteenth century, a distinction made between "writers" and "authors," Susan S. Williams notes, the former defined as those who composed primarily from mere experience or observation rather than from the unique genius or imagination of the latter. If women were more often cast as writers than authors by the literary establishment, there also emerged in magazines, advice books, fictional accounts, and letters a specific model of female authorship, one that valorized "natural" feminine traits such as observation and emphasis on detail, while also representing the distance between amateur writing and professional authorship.Attending to biographical and cultural contexts and offering fresh readings of literary works, Reclaiming Authorship focuses on the complex ways writers such as Maria S. Cummins, Louisa May Alcott, Elizabeth Keckley, Mary Abigail Dodge, Elizabeth Stuart Phelps, and Constance Fenimore Woolson put this model of female authorship into practice. Williams shows how it sometimes intersected with prevailing notions of male authorship and sometimes diverged from them, and how it is often precisely those moments of divergence when authorship was reclaimed by women.The current trend to examine "women writers" rather than "authors" marks a full rotation of the circle, and "writers" can indeed be the more capacious term, embracing producers of everything from letters and diaries to published books. Yet certain nineteenth-century women made particular efforts to claim the title "author," Williams demonstrates, and we miss something of significance by ignoring their efforts.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650 0 _aAmerican literature
_x19th century
_xHistory and criticism.
650 0 _aAmerican literature
_xWomen authors
_xHistory and criticism.
650 0 _aAmerican literature
_xWomen authors.
650 0 _aAmerican literature
_y19th century
_xHistory and criticism.
650 0 _aAuthorship.
650 0 _aWomen and literature
_zUnited States
_xHistory
_x19th century.
650 0 _aWomen and literature
_zUnited States
_xHistory
_y19th century.
650 4 _aCultural Studies.
650 7 _aLITERARY CRITICISM / American / General.
_2bisacsh
653 _aCultural Studies.
653 _aLiterature.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9780812203899
856 4 0 _uhttps://www.degruyter.com/isbn/9780812203899
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780812203899/original
942 _cEB
999 _c198268
_d198268