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019 _a(OCoLC)1013946418
019 _a(OCoLC)979954234
020 _a9780812221633
_qprint
020 _a9780812206166
_qPDF
024 7 _a10.9783/9780812206166
_2doi
035 _a(DE-B1597)9780812206166
035 _a(DE-B1597)449311
035 _a(OCoLC)794702151
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN2277.N5
_bS39 2009
072 7 _aHIS036060
_2bisacsh
082 0 4 _a792.09747/109041
_222
084 _aonline - DeGruyter
100 1 _aSchweitzer, Marlis
_eautore
245 1 0 _aWhen Broadway Was the Runway :
_bTheater, Fashion, and American Culture /
_cMarlis Schweitzer.
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2011]
264 4 _c©2009
300 _a1 online resource (320 p.) :
_b47 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tChapter 1. The Octopus and the Matinee Girl --
_tChapter 2. The "Department Store Theater" and the Gendering of Consumption --
_tChapter 3. "The Cult of Clothes" and the Performance of Class --
_tChapter 4. Fashioning the Modern Woman --
_tChapter 5. The Theatrical Fashion Show on Broadway and Sixth Avenue --
_tEpilogue --
_tNotes --
_tIndex --
_tAcknowledgments
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSelected by Choice magazine as an Outstanding Academic TitleWhen Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle.Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such as Vogue vied for the rights to publish theatrical costume sketches and Harper's Bazaar enticed readers with photo spreads of actresses in couture. This combination of spectatorship and consumption was a crucial step in the formation of a mass market for consumer goods and the rise of the cult of celebrity.Through historical analysis and dozens of early photographs and illustrations, Schweitzer aims a spotlight at the cultural and economic convergence of the theater and fashion industries in the United States.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650 0 _aCostume
_zNew York (State)
_zNew York
_xHistory
_y19th century.
650 0 _aCostume
_zNew York (State)
_zNew York
_xHistory
_y20th century.
650 0 _aDepartment stores
_zNew York (State)
_zNew York.
650 0 _aFashion
_zNew York (State)
_zNew York
_xHistory
_y19th century.
650 0 _aFashion
_zNew York (State)
_zNew York
_xHistory
_y20th century.
650 0 _aTheater
_zNew York (State)
_zNew York
_xHistory
_y19th century.
650 0 _aTheater
_zNew York (State)
_zNew York
_xHistory
_y20th century.
650 4 _aLiterature.
650 7 _aHISTORY / United States / 20th Century.
_2bisacsh
653 _aAmerican History.
653 _aAmerican Studies.
653 _aCultural Studies.
653 _aLiterature.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9780812206166
856 4 0 _uhttps://www.degruyter.com/isbn/9780812206166
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780812206166/original
942 _cEB
999 _c198490
_d198490