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| 001 | 198507 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233047.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220424t20122012pau fo d z eng d | ||
| 019 | _a(OCoLC)979684790 | ||
| 020 |
_a9780812244229 _qprint |
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| 020 |
_a9780812206333 _qPDF |
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| 024 | 7 |
_a10.9783/9780812206333 _2doi |
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| 035 | _a(DE-B1597)9780812206333 | ||
| 035 | _a(DE-B1597)449593 | ||
| 035 | _a(OCoLC)822017755 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT004040 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aDeLombard, Jeannine Marie _eautore |
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| 245 | 1 | 0 |
_aIn the Shadow of the Gallows : _bRace, Crime, and American Civic Identity / _cJeannine Marie DeLombard. |
| 264 | 1 |
_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2012] |
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| 264 | 4 | _c©2012 | |
| 300 |
_a1 online resource (456 p.) : _b15 illus. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aHaney Foundation Series | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction: How a Slave Was Made a Man -- _tPart I -- _tChapter 1. Contracting Guilt: Mixed Character, Civil Slavery, and the Social Compact -- _tChapter 2. Black Catalogues: Crime, Print, and the Rise of the Black Self -- _tPart II -- _tChapter 3. The Ignominious Cord: Crime, Counterfactuals, and the New Black Politics -- _tChapter 4. The Work of Death: Time, Crime, and Personhood in Jacksonian America -- _tChapter 5. How Freeman Was Made a Madman: Race, Capacity, and Citizenship -- _tChapter 6. Who Aint a Slaver? Citizenship, Piracy, and Slaver Narratives -- _tConclusion -- _tNotes -- _tBibliography -- _tIndex -- _tAcknowledgments |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aFrom Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders-even slaves-appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession.Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists-most notably, Frederick Douglass-could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | |
| 650 | 4 | _aHuman Rights. | |
| 650 | 7 |
_aLITERARY CRITICISM / American / African-American. _2bisacsh |
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| 653 | _aAmerican History. | ||
| 653 | _aAmerican Studies. | ||
| 653 | _aCultural Studies. | ||
| 653 | _aHuman Rights. | ||
| 653 | _aLaw. | ||
| 653 | _aLiterature. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.9783/9780812206333 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780812206333 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812206333/original |
| 942 | _cEB | ||
| 999 |
_c198507 _d198507 |
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