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001			198893
003			IT-RoAPU
005			20221214233103.0
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007			cr || ||||||||
008			210830t20142015pau fo d z eng d
019			_a(OCoLC)1024033645
019			_a(OCoLC)1037924162
019			_a(OCoLC)1041998638
019			_a(OCoLC)1046605926
019			_a(OCoLC)1047002865
019			_a(OCoLC)1049623836
019			_a(OCoLC)1054881703
020			_a9780812246643 _qprint
020			_a9780812290400 _qPDF
024	7		_a10.9783/9780812290400 _2doi
035			_a(DE-B1597)9780812290400
035			_a(DE-B1597)451264
035			_a(OCoLC)979910521
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR448.R45 _bJ34 2015
072		7	_aLIT004120 _2bisacsh
082	0	4	_a820.9/382 _223
084			_aonline - DeGruyter
100	1		_aJager, Colin _eautore
245	1	0	_aUnquiet Things : _bSecularism in the Romantic Age / _cColin Jager.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2014]
264		4	_c©2015
300			_a1 online resource (344 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aHaney Foundation Series
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction. Unquiet Things -- _tPART I. Reform -- _tIntroduction -- _tChapter 1. The Power of the Prince: Henry VIII and Henry VIII -- _tChapter 2. The Melancholy of the Secular -- _tChapter 3. Wishing for Nothing: Emma and the Dissolution -- _tPART II. Sounding the Quiet -- _tIntroduction -- _tChapter 4. Coleridge at Sea: ''Kubla Khan'' and the Invention of Religion -- _tChapter 5. Hippogriffs in the Library: Realism and Opposition from Hume to Scott -- _tChapter 6. The Creation of Religious Minorities: Hogg's Justified Sinner -- _tPART III. After the Secular -- _tIntroduction -- _tChapter 7. Byron and the Paradox of Reading -- _tChapter 8. The Constellations of Romantic Religion -- _tChapter 9. Shelley After Atheism -- _tEpilogue -- _tNotes -- _tBibliography -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn Great Britain during the Romantic period, governmental and social structures were becoming more secular as religion was privatized and depoliticized. If the discretionary nature of religious practice permitted spiritual freedom and social differentiation, however, secular arrangements produced new anxieties. Unquiet Things investigates the social and political disorders that arise within modern secular cultures and their expression in works by Jane Austen, Horace Walpole, Samuel Taylor Coleridge, Lord Byron, and Percy Shelley among others.Emphasizing secularism rather than religion as its primary analytic category, Unquiet Things demonstrates that literary writing possesses a distinctive ability to register the discontent that characterizes the mood of secular modernity. Colin Jager places Romantic-era writers within the context of a longer series of transformations begun in the Reformation, and identifies three ways in which romanticism and secularism interact: the melancholic mood brought on by movements of reform, the minoritizing capacity of literature to measure the disturbances produced by new arrangements of state power, and a prospective romantic thinking Jager calls "after the secular." The poems, novels, and letters of the romantic period reveal uneasy traces of the spiritual past, haunted by elements that trouble secular politics; at the same time, they imagine new and more equitable possibilities for the future. In the twenty-first century, Jager contends, we are still living within the terms of the romantic response to secularism, when literature and philosophy first took account of the consequences of modernity.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aEnglish literature _x18th century _xHistory and criticism.
650		0	_aEnglish literature _x19th century _xHistory and criticism.
650		0	_aEnglish literature _y18th century _xHistory and criticism.
650		0	_aEnglish literature _y19th century _xHistory and criticism.
650		0	_aReligion and literature _zGreat Britain _xHistory _x18th century.
650		0	_aReligion and literature _zGreat Britain _xHistory _x19th century.
650		0	_aReligion and literature _zGreat Britain _xHistory _y18th century.
650		0	_aReligion and literature _zGreat Britain _xHistory _y19th century.
650		0	_aRomanticism _zGreat Britain.
650		0	_aSecularization (Theology) _xHistory _x18th century.
650		0	_aSecularization (Theology) _xHistory _x19th century.
650		0	_aSecularization (Theology) _xHistory _y18th century.
650		0	_aSecularization (Theology) _xHistory _y19th century.
650		0	_aTheology in literature _xHistory _x18th century.
650		0	_aTheology in literature _xHistory _x19th century.
650		0	_aTheology in literature _xHistory _y18th century.
650		0	_aTheology in literature _xHistory _y19th century.
650		4	_aCultural Studies.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
653			_aCultural Studies.
653			_aLiterature.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812290400
856	4	0	_uhttps://www.degruyter.com/isbn/9780812290400
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780812290400.jpg
942			_cEB
999			_c198893 _d198893