000			04819nam a22006015i 4500
001			199097
003			IT-RoAPU
005			20221214233111.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210830t20162016pau fo d z eng d
019			_a(OCoLC)979724997
020			_a9780812248326 _qprint
020			_a9780812293043 _qPDF
024	7		_a10.9783/9780812293043 _2doi
035			_a(DE-B1597)9780812293043
035			_a(DE-B1597)473300
035			_a(OCoLC)952153286
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aGT736 _b.C36 2016eb
072		7	_aLIT004120 _2bisacsh
082	0	4	_a391.00942 _223
084			_aonline - DeGruyter
100	1		_aCampbell, Timothy _eautore
245	1	0	_aHistorical Style : _bFashion and the New Mode of History, 1740-1830 / _cTimothy Campbell.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (376 p.) : _b54 illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMaterial Texts
505	0	0	_tFrontmatter -- _tContents -- _tAbbreviations -- _tIntroduction. Fashions Past -- _tPart I. The Dress of the Year -- _tChapter 1. Modern Fashion and Comparative Contemporaneity -- _tChapter 2. Portrait Historicism and the Dress of the Times -- _tPart II. The Fictions of Serial History -- _tChapter 3. Hume, Historical Succession, and the Dress of Rousseau -- _tChapter 4. Historical Novelty and Serial Form -- _tChapter 5. Walter Scott's Fashion Systems -- _tChapter 6. William Godwin and the Objects of Historical Fiction -- _tCoda. Beautiful Historical Experience -- _tNotes -- _tBibliography -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aHistorical Style connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood.In a panoptic sweep, Historical Style brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of continual change, and forged a sense of history as something that could be tracked through material objects. Campbell assembles a wide range of writings, images, and objects to render this eighteenth-century landscape: commercial dress displays and David Hume's ideas of novelty as historical form; popular illustrations of recent fashion trends and Sir Joshua Reynolds's aesthetic precepts; fashion periodicals and Sir Walter Scott's costume-saturated historical fiction. In foregrounding fashion to trace eighteenth-century historicism, Historical Style draws upon the interdisciplinary, multimedia archival impressions that fashionable dress has left behind, as well as the historical and conceptual resources within the field of fashion studies that literary and cultural historians of eighteenth-century and Romantic Britain have often neglected.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aClothing and dress _zGreat Britain _xHistory _y18th century.
650		0	_aClothing and dress _zGreat Britain _xHistory _y19th century.
650		0	_aFashion _zGreat Britain _xHistory _y18th century.
650		0	_aFashion _zGreat Britain _xHistory _y19th century.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
653			_aCultural Studies.
653			_aLiterature.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812293043
856	4	0	_uhttps://www.degruyter.com/isbn/9780812293043
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780812293043.jpg
942			_cEB
999			_c199097 _d199097