000			04363nam a22005535i 4500
001			199235
003			IT-RoAPU
005			20221214233117.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			221004t20172017pau fo d z eng d
020			_a9780812294651 _qPDF
024	7		_a10.9783/9780812294651 _2doi
035			_a(DE-B1597)9780812294651
035			_a(DE-B1597)489419
035			_a(OCoLC)1005496277
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aHIS038000 _2bisacsh
082	0	4	_a303.5 _223
084			_aonline - DeGruyter
100	1		_aSmith, Richard Candida _eautore
245	1	0	_aImprovised Continent : _bPan-Americanism and Cultural Exchange / _cRichard Candida Smith, Richard Cándida Smith.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2017]
264		4	_c©2017
300			_a1 online resource (352 p.) : _b27 illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aThe Arts and Intellectual Life in Modern America
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _tChapter 1. Pan-American Culture -- _tChapter 2. National Ways of Looking -- _tChapter 3. “In the American Grain” -- _tChapter 4. The Muralists Arrive -- _tChapter 5. Responding to Global Crisis -- _tChapter 6. Making Latin American Allies Visible -- _tChapter 7. “Black Cat on a Field of Snow” -- _tChapter 8. On the Road for the Good Neighbor Policy -- _tChapter 9. Postwar Transitions: From “Exchange” to “Information” -- _tChapter 10. Taking Sides in the Cold War -- _tChapter 11. The New Latin American Novel in the United States -- _tChapter 12. “I Now Believe That American Imperialism Is Real” -- _tChapter 13. Exiting Pan-Americanism -- _tChapter 14. A Twenty-First- Century American Epiphany -- _tAppendix -- _tNotes -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aHow does a country in the process of becoming a world power prepare its citizens for the responsibilities of global leadership? In Improvised Continent, Richard Cándida Smith answers this question by illuminating the forgotten story of how, over the course of the twentieth century, cultural exchange programs, some run by the government and others by philanthropies and major cultural institutions, brought many of the most important artists and writers of Latin America to live and work in the United States.Improvised Continent is the first book to focus on cultural exchange inside the United States and how Americans responded to Latin American writers and artists. Moving masterfully between the history of ideas, biography, institutional history and politics, and international relations, and engaging works in French, German, Spanish, and Portuguese, Cándida Smith synthesizes over seventy years of Pan-American cultural activity in the United States.The stories behind Diego Rivera's murals, the movies of Alejandro G. Iñárritu, the poetry of Gabriela Mistral, the photography of Genevieve Naylor, and the novels of Carlos Fuentes—these works and artists, along with many others, challenged U.S. citizens about their place in the world and about the kind of global relations the country's interests could allow. Improvised Continent provides a profoundly compassionate portrayal of the Latin American artists and writers who believed their practices might create a more humane world.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022)
650		7	_aHISTORY / Americas (North, Central, South, West Indies). _2bisacsh
653			_aAmerican History.
653			_aAmerican Studies.
653			_aCaribbean Studies.
653			_aCultural Studies.
653			_aLatin American Studies.
700	1		_aSmith, Richard Cándida _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812294651
856	4	0	_uhttps://www.degruyter.com/isbn/9780812294651
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812294651/original
942			_cEB
999			_c199235 _d199235