000			04245nam a2200553 454500
001			199269
003			IT-RoAPU
005			20250106150441.0
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008			240625t20182018pau fo d z eng d
020			_a9780812295030 _qPDF
024	7		_a10.9783/9780812295030 _2doi
035			_a(DE-B1597)9780812295030
035			_a(DE-B1597)497588
035			_a(OCoLC)1030303647
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT024030 _2bisacsh
082	0	4	_a823/.509384 _223
084			_aonline - DeGruyter
100	1		_aYahav, Amit S. _eautore
245	1	0	_aFeeling Time : _bDuration, the Novel, and Eighteenth-Century Sensibility / _cAmit S. Yahav.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2018]
264		4	_c©2018
300			_a1 online resource (208 p.) : _b1 illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction. The Sensibility Chronotope -- _tChapter 1. Composing Human Time: Locke, Hume, Addison, and Diderot -- _tChapter 2. Temporal Moralities and Momentums of Plot: Richardson and Hutcheson -- _tChapter 3. Sympathetic Moments and Rhythmic Narration: Sterne, Early Musicology, and the Elocutionists -- _tChapter 4. Durational Aesthetics and the Logic of Character: Radcliffe, Burke, and Smith -- _tCoda. The End of Human Time? -- _tNotes -- _tBibliography -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aLiterary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aEnglish fiction _y18th century _xHistory and criticism.
650		0	_aLiterature and society _zEngland _xHistory _y18th century.
650		0	_aTime in literature.
650		0	_aTime perception in literature.
650		0	_aTime _xPhilosophy.
650		7	_aLITERARY CRITICISM / Modern / 18th Century . _2bisacsh
653			_aCultural Studies.
653			_aLiterature.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812295030
856	4	0	_uhttps://www.degruyter.com/isbn/9780812295030
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812295030/original
942			_cEB
999			_c199269 _d199269