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001			199275
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008			221004t20182018pau fo d z eng d
020			_a9780812295092 _qPDF
024	7		_a10.9783/9780812295092 _2doi
035			_a(DE-B1597)9780812295092
035			_a(DE-B1597)497592
035			_a(OCoLC)1030536881
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN682.B56 _bB58 2018
072		7	_aHIS037010 _2bisacsh
082	0	4	_a809/.933561 _223
084			_aonline - DeGruyter
245	0	0	_aBlood Matters : _bStudies in European Literature and Thought, 14-17 / _ced. by Eleanor Decamp, Bonnie Lander Johnson.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2018]
264		4	_c©2018
300			_a1 online resource (368 p.) : _b10 illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _tPart I Circulation -- _tChapter 1. Was the Heart “Dethroned”? Harvey’s Discoveries and the Politics of Blood, Heart, and Circulation -- _tChapter 2. “The Lake of my Heart” Blood, Containment, and the Boundaries of the Person in the Writing of Dante and Catherine of Siena -- _tChapter 3. Sorting Pistol’s Blood Social Class and the Circulation of Character in Shakespeare’s 2 Henry IV and Henry V -- _tPart II Wounds -- _tChapter 4. Mantled in Blood Shakespeare’s Bloodstains and Early Modern Textile Culture -- _tChapter 5. Rethinking Nosebleeds Gendering Spontaneous Bleedings in Medieval and Early Modern Medicine -- _tChapter 6. Screaming Bleeding Trees Textual Wounding and the Epic Tradition -- _tPart III Corruption -- _tChapter 7. Corruption, Generation, and the Problem of Menstrua in Early Modern Alchemy -- _tChapter 8. Bloody Students Youth, Corruption, and Discipline in the Medieval Classroom -- _tChapter 9. Blood, Milk, Poison Romeo and Juliet’s Tragedy of “Green” Desire and Corrupted Blood -- _tPart IV Proof -- _tChapter 10. “In Every Wound There is a Bloody Tongue”. Cruentation in Early Modern Literature and Psychology -- _tChapter 11. “In such abundance . . . that it fill a Bason”. Early Modern Bleeding Bowls -- _tChapter 12. Macbeth and the Croxton Play of the Sacrament: Blood and Belief in Early English Stagecraft -- _tChapter 13. Simular Proof, Tragicomic Turns, and Cymbeline’s Bloody Cloth -- _tPart V Signs and Substance -- _tChapter 14. Blood of the Grape -- _tChapter 15. Blood on the Butcher’s Knife: Images of Pig Slaughter in Late Medieval Illustrated Calendars -- _tChapter 16. Queer Blood -- _tNotes -- _tBibliography -- _tList of Contributors -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and—after William Harvey's discovery of its circulation—the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourses.Blood Matters explores blood as a distinct category of inquiry and draws together scholars who might not otherwise be in conversation. Theatrical and medical practice are found to converge in their approaches to the regulation of blood as a source of identity and truth; medieval civic life intersects with seventeenth-century science and philosophy; the concepts of class, race, gender, and sexuality find in the language of blood as many mechanisms for differentiation as for homogeneity; and fields as disparate as pedagogical theory, alchemy, phlebotomy, wet-nursing, and wine production emerge as historically and intellectually analogous. The volume's essays are organized within categories derived from medieval and early modern understanding of blood behaviors—Circulation, Wounds, Corruption, Proof, and Signs and Substances—thereby providing the terms through which interdisciplinary and cross-period conversations can take place.Contributors: Helen Barr, Katharine Craik, Lesel Dawson, Eleanor Decamp, Frances E. Dolan, Elisabeth Dutton, Margaret Healy, Dolly Jørgensen, Helen King, Bonnie Lander Johnson, Hester Lees-Jeffries, Joe Moshenska, Tara Nummedal, Patricia Parker, Ben Parsons, Heather Webb, Gabriella Zuccolin.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022)
650		0	_aBlood in literature.
650		0	_aBlood _xReligious aspects _xHistory.
650		0	_aBlood _xSocial aspects _xHistory.
650		0	_aBlood _xSymbolic aspects _xHistory.
650		0	_aEuropean literature _yEarly modern, 1500-1700 _xHistory and criticism.
650		0	_aLiterature, Medieval _xHistory and criticism.
650		7	_aHISTORY / Medieval. _2bisacsh
653			_aCultural Studies.
653			_aEuropean History.
653			_aHistory.
653			_aLiterature.
653			_aMedieval and Renaissance Studies.
653			_aWorld History.
700	1		_aBarr, Helen _eautore
700	1		_aCraik, Katharine A. _eautore
700	1		_aDawson, Lesel _eautore
700	1		_aDecamp, Eleanor _eautore _ecuratore
700	1		_aDolan, Frances E. _eautore
700	1		_aDutton, Elisabeth _eautore
700	1		_aHealy, Margaret _eautore
700	1		_aJohnson, Bonnie Lander _ecuratore
700	1		_aJørgensen, Dolly _eautore
700	1		_aKing, Helen _eautore
700	1		_aLander Johnson, Bonnie _eautore
700	1		_aLees-Jeffries, Hester _eautore
700	1		_aMoshenska, Joe _eautore
700	1		_aNummedal, Tara _eautore
700	1		_aParker, Patricia _eautore
700	1		_aParsons, Ben _eautore
700	1		_aWebb, Heather _eautore
700	1		_aZuccolin, Gabriella _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812295092
856	4	0	_uhttps://www.degruyter.com/isbn/9780812295092
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812295092/original
942			_cEB
999			_c199275 _d199275