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001			199484
003			IT-RoAPU
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008			240625t20212021pau fo d z eng d
020			_a9780812297850 _qPDF
024	7		_a10.9783/9780812297850 _2doi
035			_a(DE-B1597)9780812297850
035			_a(DE-B1597)573142
035			_a(OCoLC)1237399246
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPQ283
072		7	_aLIT004150 _2bisacsh
082	0	4	_a840.9 _223
084			_aonline - DeGruyter
100	1		_aRexer, Raisa Adah _eautore
245	1	4	_aThe Fallen Veil : _bA Literary and Cultural History of the Photographic Nude in Nineteenth-Century France / _cRaisa Adah Rexer.
264		1	_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2021]
264		4	_c©2021
300			_a1 online resource (328 p.) : _b87 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMaterial Texts
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPreface -- _tPART I The Second Empire -- _tChapter 1 Art, Obscenity, and Censorship: 1839–1870 -- _tChapter 2 The Judgment of Phryne, or, The Model’s Meaning -- _tChapter 3 Baudelaire’s Bodies -- _tChapter 4 Manette Salomon and Anti- Modernity -- _tPART II The Third Republic -- _tChapter 5 The Rise of an International Industry: 1870–1900 -- _tChapter 6 The Dangerous Streets -- _tChapter 7 Nana in the Nude -- _tChapter 8 Maizeroy and the Feminist Photo- Novel -- _tConclusion -- _tNotes -- _tBibliography -- _tIndex -- _tAcknowledgments
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aBetween 1839 and the end of the nineteenth century, millions of nude photographs of the female form—artistic, pornographic, and everything in-between—were produced in France, the birthplace of photography. Drawing upon government records, legal decisions, newspaper accounts, and contemporary literature, Raisa Rexer recounts the history of these illicit and ubiquitous images and elucidates their immense cultural and artistic reach.Rexer focuses in particular on the ways that nude photographic imagery influenced some of the greatest authors of the period, including Charles Baudelaire, the Goncourt brothers, and Émile Zola, and sets their work against historical records and nonfiction print sources to tell the story of evolving perceptions of nude photography. In the period immediately after photography's invention, nude photographs were vitally connected to the questions of art and artistry, particularly with regard to photography's aspirations to high cultural status. By the end of the century, however, as production and sales expanded internationally and as photographs of nudes flooded the streets and shops, proliferation of these pictures was increasingly viewed as one of a host of social problems plaguing France.Illustrated with nearly ninety period images, The Fallen Veil offers the first full treatment of the photographic nude in the nineteenth century and considers how this history continues to influence many of the same questions we ask today about art, pornography, and the relation between the two.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aFrench literature _y19th century _xHistory and criticism.
650		0	_aLiterature and photography _zFrance _xHistory _y19th century.
650		0	_aNude in art _xHistory _y19th century.
650		0	_aPhotography of the nude _xHistory _y19th century.
650		0	_aPhotography _xSocial aspects _xHistory _y19th century.
650		7	_aLITERARY CRITICISM / European / French. _2bisacsh
653			_aCultural Studies.
653			_aEuropean History.
653			_aLiterature.
653			_aWorld History.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.9783/9780812297850
856	4	0	_uhttps://www.degruyter.com/isbn/9780812297850
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780812297850/original
942			_cEB
999			_c199484 _d199484