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| 001 | 199684 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233134.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220524t20042004nju fo d z eng d | ||
| 020 |
_a9780813533629 _qprint |
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| 020 |
_a9780813542577 _qPDF |
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| 024 | 7 |
_a10.36019/9780813542577 _2doi |
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| 035 | _a(DE-B1597)9780813542577 | ||
| 035 | _a(DE-B1597)530349 | ||
| 035 | _a(OCoLC)508263110 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER000000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.43/6164 _222 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Horror Film / _ced. by Stephen Prince. |
| 264 | 1 |
_aNew Brunswick, NJ : _bRutgers University Press, _c[2004] |
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| 264 | 4 | _c©2004 | |
| 300 | _a1 online resource (280 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aRutgers Depth of Field Series | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 |
_aHorror films _xHistory and criticism. |
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| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh |
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| 700 | 1 |
_aBeth Oliver, Mary _eautore |
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| 700 | 1 |
_aBrottman, Mikita _eautore |
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| 700 | 1 |
_aCantor, Joanne _eautore |
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| 700 | 1 |
_aClarens, Carlos _eautore |
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| 700 | 1 |
_aConrich, Ian _eautore |
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| 700 | 1 |
_aCrane, Jonathan _eautore |
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| 700 | 1 |
_aFrank, David A. _eautore |
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| 700 | 1 |
_aFreeland, Cynthia _eautore |
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| 700 | 1 |
_aPicart, Caroline J. S. _eautore |
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| 700 | 1 |
_aPinedo, Isabel Cristina _eautore |
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| 700 | 1 |
_aPrince, Stephen _eautore _ecuratore |
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| 700 | 1 |
_aSanders, Meghan _eautore |
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| 700 | 1 |
_aSchneider, Steven Jay _eautore |
|
| 700 | 1 |
_aSkal, David J. _eautore |
|
| 700 | 1 |
_aTybjerg, Casper _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.36019/9780813542577 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780813542577 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780813542577/original |
| 942 | _cEB | ||
| 999 |
_c199684 _d199684 |
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