| 000 | 05186nam a22006975i 4500 | ||
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| 001 | 199714 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233135.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 210830t20082008nju fo d z eng d | ||
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_a9780813542188 _qprint |
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| 020 |
_a9780813544717 _qPDF |
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_a10.36019/9780813544717 _2doi |
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| 035 | _a(DE-B1597)9780813544717 | ||
| 035 | _a(DE-B1597)530330 | ||
| 035 | _a(OCoLC)276171945 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPN1993.5.U6 _bA8576 2008eb |
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| 072 | 7 |
_aPER000000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.430973/09046 _222 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aAmerican Cinema of the 1960s : _bThemes and Variations / _ced. by Barry Keith Grant. |
| 264 | 1 |
_aNew Brunswick, NJ : _bRutgers University Press, _c[2008] |
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| 264 | 4 | _c©2008 | |
| 300 |
_a1 online resource (296 p.) : _b33 |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aScreen Decades: American Culture/America | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tTimeline: The 1960s -- _tIntroduction: Movies and the 1960s -- _t1960 Movies and Intimations of Disaster and Hope -- _t1961 Movies and Civil Rights -- _t1962 Movies and Deterioration -- _t1963 Movies and the Little Soldiers of the New Frontier -- _t1964 Movies, the Great Society, and the New Sensibility -- _t1965 Movies and the Color Line -- _t1966 Movies and Camp -- _t1967 Movies and the Specter of Rebellion -- _t1968 Movies and the Failure of Nostalgia -- _t1969 Movies and the Counterculture -- _tSelect Academy Awards, 1960-1969 -- _tWorks Cited and Consulted -- _tContributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 |
_aMotion pictures _zUnited States _xHistory _y20th century. |
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| 650 | 0 |
_aMotion pictures _zUnited States _xPlots, themes, etc. |
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| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh |
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| 653 | _aelmer gantry, the apartment, west side story, the manchurian candidate, to kill a mockingbird, cape fear, bonnie and clyde, 2001 a space odyssey, midnight cowboy, easy rider, experimental fim, independent film, documentary, hollywood, foreign film, television, tv, independent producer, runaway production, multiplex, theater, film industry, film, video, media, media studies, film studies, american cinema, cinema, american culture, communications, history, film history, free love, gay rights, womens liberation, civil rights, cold war, vietnam war. | ||
| 700 | 1 |
_aAbramson, Leslie _eautore |
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| 700 | 1 |
_aAbramson, Leslie H. _eautore |
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| 700 | 1 |
_aBenshoff, Harry _eautore |
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| 700 | 1 |
_aBenshoff, Harry M. _eautore |
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| 700 | 1 |
_aDesser, David _eautore |
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| 700 | 1 |
_aEverett, Anna _eautore |
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| 700 | 1 |
_aGrant, Barry Keith _eautore _ecuratore |
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| 700 | 1 |
_aMcElhaney, Joe _eautore |
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| 700 | 1 |
_aMilliken, Christie _eautore |
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| 700 | 1 |
_aMorrison, James _eautore |
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| 700 | 1 |
_aPomerance, Murray _eautore |
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| 700 | 1 |
_aSchaefer, Eric _eautore |
|
| 700 | 1 |
_aSharrett, Christopher _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.36019/9780813544717 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780813544717 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780813544717.jpg |
| 942 | _cEB | ||
| 999 |
_c199714 _d199714 |
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