000			03564nam a22005295i 4500
001			199796
003			IT-RoAPU
005			20221214233139.0
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007			cr || ||||||||
008			210830t20092009nju fo d z eng d
020			_a9780813546292 _qprint
020			_a9780813548333 _qPDF
024	7		_a10.36019/9780813548333 _2doi
035			_a(DE-B1597)9780813548333
035			_a(DE-B1597)530077
035			_a(OCoLC)593295661
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1995.9.F54 B77 2009
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.43/6556 _a791.436556
084			_aonline - DeGruyter
100	1		_aBrook, Vincent _eautore
245	1	0	_aDriven to Darkness : _bJewish Emigre Directors and the Rise of Film Noir / _cVincent Brook.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2009]
264		4	_c©2009
300			_a1 online resource (285 p.) : _b42
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _t1. Introduction -- _t2. Jews in Germany: Torn Between Two Worlds -- _t3. Jews and Expressionism: "Performing High and Low" -- _t4. The Father of Film Noir: Fritz Lang -- _t5. Fritz Lang in Hollywood -- _t6. The French Connection: Robert Siodmak -- _t7. Viennese Twins: Billy and Willy Wilder -- _t8. The ABZs of Film Noir: Otto Preminger and Edgar G. Ulmer -- _t9. Woman's Directors: Curtis Bernhardt and Max Ophuls -- _t10. Pathological Noir, Populist Noir, and an Act of Violence: John Brahm, Anatole Litvak, Fred Zinnemann -- _tAppendix: American Film Noirs by Jewish Émigré Directors -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aFilm noir _zUnited States _xHistory and criticism.
650		0	_aJewish motion picture producers and directors _zUnited States.
650		7	_aPERFORMING ARTS / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813548333
856	4	0	_uhttps://www.degruyter.com/isbn/9780813548333
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780813548333.jpg
942			_cEB
999			_c199796 _d199796