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010 _a2012033373
020 _a9780813561103
_qprint
020 _a9780813561110
_qPDF
024 7 _a10.36019/9780813561110
_2doi
035 _a(DE-B1597)9780813561110
035 _a(DE-B1597)529380
035 _a(OCoLC)842883496
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1994
_b.T7175 2013
050 4 _aPN1994 .T7175 2013
072 7 _aPER000000
_2bisacsh
082 0 4 _a384.8
_a384/.8
084 _aonline - DeGruyter
100 1 _aTryon, Chuck
_eautore
245 1 0 _aOn-Demand Culture :
_bDigital Delivery and the Future of Movies /
_cChuck Tryon.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2013]
264 4 _c©2013
300 _a1 online resource (272 p.) :
_b2 illustrations, 4 tables
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction: On- Demand Culture; Digital Distribution and the Future of Cinema --
_t1. Coming Soon to a Computer near You: Digital Delivery and Ubiquitous Entertainment --
_t2. Restricting and Resistant Mobilities: Negotiating Digital Delivery --
_t3. "Make Any Room Your TV Room": Digital Delivery and Media Mobility --
_t4. Breaking through the Screen: 3D, Avatar, and the Future of Moviegoing --
_t5. Redbox vs. Red Envelope, or Closing the Window on the Bricks- and- Mortar Video Store --
_t6. The Twitter Effect: Social Media and Digital Delivery --
_t7. Indie 2.0: Digital Delivery, Crowdsourcing, and Social Media --
_t8. Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia --
_tConclusion: Digital Futures --
_tNotes --
_tSelect Bibliography --
_tIndex --
_tAbout the Author
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an "on-demand culture," a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access-online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar-are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aDigital media
_xInfluence.
650 0 _aInteractive multimedia.
650 0 _aMotion pictures
_xDistribution
_xSocial aspects.
650 0 _aMotion pictures.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
653 _adigtial content delivery.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813561110
856 4 0 _uhttps://www.degruyter.com/isbn/9780813561110
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813561110.jpg
942 _cEB
999 _c200019
_d200019