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008 210830t20142014nju fo d z eng d
010 _a2013013406
020 _a9780813562629
_qprint
020 _a9780813562636
_qPDF
024 7 _a10.36019/9780813562636
_2doi
035 _a(DE-B1597)9780813562636
035 _a(DE-B1597)526508
035 _a(OCoLC)880890380
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1993.5.E8
_bP65 2014
050 4 _aPN1993.5.E8
_bP65 2014
072 7 _aPER000000
_2bisacsh
082 0 4 _a302.2
_a302.234309409045
084 _aonline - DeGruyter
100 1 _aPrime, Rebecca
_eautore
245 1 0 _aHollywood Exiles in Europe :
_bThe Blacklist and Cold War Film Culture /
_cRebecca Prime.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2014]
264 4 _c©2014
300 _a1 online resource (264 p.) :
_b23 photos
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aNew Directions in International Studies
505 0 0 _tFrontmatter --
_tCONTENTS --
_tAcknowledgments --
_tIntroduction --
_t1. The Radical Community in Hollywood --
_t2. Life on the Blacklist: Production and Politics in Postwar Europe --
_t3. The Blacklist and "Runaway" Production --
_t4. The Blacklist, Exile, and the Transatlantic Noir --
_t5. Cosmopolitan Visions, Cold War Fears --
_t6. Blacklisted Directors, Art Cinema, and the Caprices of Film Criticism --
_t7. The Legacy of the Blacklist --
_tConclusion --
_tNotes --
_tSelected Bibliography --
_tIndex --
_tABOUT THE AUTHOR
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aRebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the RiverKwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American "lost generation" and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema's changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aBlacklisting of authors
_zUnited States
_xHistory
_y20th century.
650 0 _aBlacklisting of entertainers
_zUnited States
_xHistory
_y20th century.
650 0 _aCold War
_xInfluence.
650 0 _aExpatriate motion picture producers and directors
_zEurope
_xHistory
_y20th century.
650 0 _aMotion picture actors and actresses
_zUnited States
_xHistory
_y20th century.
650 0 _aMotion picture industry
_xPolitical aspects
_zCalifornia
_zLos Angeles
_xHistory
_y20th century.
650 0 _aMotion picture industry
_xPolitical aspects
_zEurope
_xHistory
_y20th century.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813562636
856 4 0 _uhttps://www.degruyter.com/isbn/9780813562636
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813562636.jpg
942 _cEB
999 _c200057
_d200057