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008			230103t20142014nju fo d z eng d
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020			_a9780813563428 _qPDF
024	7		_a10.36019/9780813563428 _2doi
035			_a(DE-B1597)9780813563428
035			_a(DE-B1597)526468
035			_a(OCoLC)892054286
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1996 _b.S38 2014
072		7	_aPER000000 _2bisacsh
082	0	4	_a808.23
084			_aonline - DeGruyter
245	0	0	_aScreenwriting / _ced. by Andrew Horton, Julian Hoxter.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2014]
264		4	_c©2014
300			_a1 online resource (224 p.) : _b34 photographs
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aBehind the Silver Screen Series
505	0	0	_tFrontmatter -- _tBehind the Silver Screen -- _tContents -- _tIntroduction -- _t1. Machine to Screen: The Evolution toward Story, 1895–1928 -- _t2. Classical Hollywood, 1928–1946 -- _t3. Postwar Hollywood, 1947–1967 -- _t4. The Auteur Renaissance, 1968–1980 -- _t5. The New Hollywood, 1980–1999 -- _t6. The Modern Entertainment Marketplace, 2000–Present -- _tAcademy Awards for Screenwriting -- _tNotes -- _tSelected Bibliography -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aScreenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650		0	_aMotion picture authorship _xHistory.
650		0	_aMotion picture industry _xHistory _xUnited States.
650		0	_aMotion picture industry _zUnited States _xHistory.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aBoon, Kevin Alexander _eautore
700	1		_aCharney, Mark J. _eautore
700	1		_aDavis, J. Madison _eautore
700	1		_aEaton, Mark _eautore
700	1		_aHorton, Andrew _ecuratore
700	1		_aHoxter, Julian _eautore _ecuratore
700	1		_aLewis, Jon _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813563428
856	4	0	_uhttps://www.degruyter.com/isbn/9780813563428
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780813563428/original
942			_cEB
999			_c200078 _d200078