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001			200101
003			IT-RoAPU
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008			230103t20152015nju fo d z eng d
020			_a9780813564371 _qPDF
024	7		_a10.36019/9780813564371 _2doi
035			_a(DE-B1597)9780813564371
035			_a(DE-B1597)526294
035			_a(OCoLC)949847072
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.4302/5
084			_aonline - DeGruyter
245	0	0	_aArt Direction and Production Design / _ced. by Lucy Fischer.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (232 p.) : _b11 color and 36 black-and-white photographs
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aBehind the Silver Screen Series
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. The Silent Screen, 1895–1927 -- _t2. Classical Hollywood, 1928–1946 -- _t3. Postwar Hollywood, 1947–1967 -- _t4. The Auteur Renaissance, 1968–1980 -- _t5. The New Hollywood, 1981–1999 -- _t6. Hollywood’S Digital Back Lot, 2000–Present -- _tAcademy Awards For Best Art Direction -- _tNotes -- _tSelected Bibliography -- _tNotes On Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aHow is the look of a film achieved? In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization. The craft’s purpose is to produce an overall pictorial “vision” for films, and in 1924 a group of designers formed the Cinemagundi Club—their skills encompassed set design, painting, decoration, construction, and budgeting. A few years later, in recognition of their contributions to filmmaking, the first Academy Awards for art direction were given, a clear indication of just how essential the oversight of production design had become to the so-called majors. The original essays presented in Art Direction and Production Design trace the trajectory from Thomas Edison’s primitive studio, the Black Maria, to the growth of the Hollywood “studio system,” to the influence of sound, to a discussion of the “auteur theory,” and to contemporary Hollywood in which computer-generated imagery has become common. By 2000, the Society of Motion Picture Art Directors became the Art Directors Guild, emphasizing the significance of the contributions of art direction and production design to filmmaking. Art Direction and Production Design is a volume in the Behind the Silver Screen series—other titles in the series include Acting, Animation, Cinematography, Directing, Editing and Special/Visual Effects, Producers, Screenwriting, and Sound.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650		0	_aMotion pictures -- Art direction.
650		0	_aMotion pictures -- Setting and scenery.
650		0	_aPerforming arts.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aConnor, J. D. _eautore
700	1		_aConnor, J.D. _eautore
700	1		_aFischer, Lucy _eautore _ecuratore
700	1		_aPrince, Stephen _eautore
700	1		_aSchleier, Merrill _eautore
700	1		_aShiel, Mark _eautore
700	1		_aTashiro, Charles _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813564371
856	4	0	_uhttps://www.degruyter.com/isbn/9780813564371
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780813564371/original
942			_cEB
999			_c200101 _d200101