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008			210830t20152015nju fo d z eng d
010			_a2015002732
020			_a9780813566290 _qprint
020			_a9780813566306 _qPDF
024	7		_a10.36019/9780813566306 _2doi
035			_a(DE-B1597)9780813566306
035			_a(DE-B1597)526187
035			_a(OCoLC)1058361752
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1995 _b.T44 2015
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.4301 _223
084			_aonline - DeGruyter
245	0	0	_aThinking in the Dark : _bCinema, Theory, Practice / _ced. by Murray Pomerance, R. Barton Palmer.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (288 p.) : _b42 photographs
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tIntroduction -- _t1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater -- _t2. Vachel Lindsay: Theory of Movie Hieroglyphics -- _t3. Béla Balázs: Film Aesthetics and the Rituals of Romance -- _t4. Siegfried Kracauer: The Politics of Film Theory and Criticism -- _t5. Walter Benjamin: Afterimages of the Aura -- _t6. Jean Epstein: Cinema's Encounter with Modern Life -- _t7. Sergei Eisenstein: Attractions/Montage/Animation -- _t8. Jacques Lacan: Giving All the Right Signs -- _t9. Rudolf Arnheim: Cinema and Partial Illusion -- _t10. Roland Barthes: What Films Show Us and What They Mean -- _t11. Jean Rouch: The Camera as Provocateur -- _t12. André Bazin: Dark Passage into the Mystery of Being -- _t13. Gilles Deleuze: On Movement, Time, and Modernism -- _t14. Stanley Cavell: The Contingencies of Film and Its Theory -- _t15. Michel Foucault: Murmur and Meditation -- _t16. Jean Douchet: La Politique Hitchcockienne -- _t17. Christian Metz: Dreaming a Language in Cinema -- _t18. V. F. Perkins: Aesthetic Suspense -- _t19. Jacques Rancière: Equality and Aesthetics -- _t20. Michel Chion: Listening to Cinema -- _t21. Judith Butler: Sex, Gender, and Subject Formation -- _tWorks Cited -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aToday's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aFilm criticism.
650		0	_aFilm critics.
650		0	_aMotion pictures _xPhilosophy.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aAndrew, Dudley _eautore
700	1		_aBlatter, Jeremy _eautore
700	1		_aBlatter, Jeremy T. _eautore
700	1		_aBrown, William _eautore
700	1		_aClayton, Alex _eautore
700	1		_aConley, Tom _eautore
700	1		_aCorne, Jonah _eautore
700	1		_aGunning, Tom _eautore
700	1		_aHatch, Kristen _eautore
700	1		_aHolmes, Nathan _eautore
700	1		_aKeller, Sarah _eautore
700	1		_aLennard, Dominic _eautore
700	1		_aMoltke, Johannes von _eautore
700	1		_aMorgan, Daniel _eautore
700	1		_aPalmer, R. Barton _eautore _ecuratore
700	1		_aPerez, Gilberto _eautore
700	1		_aPomerance, Murray _eautore _ecuratore
700	1		_aRothman, William _eautore
700	1		_aRybin, Steven _eautore
700	1		_aScheibel, Will _eautore
700	1		_aSolomon, Matthew _eautore
700	1		_aVon Moltke, Johannes _eautore
700	1		_aWilliamson, Colin _eautore
700	1		_aWoodward, Steven _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813566306
856	4	0	_uhttps://www.degruyter.com/isbn/9780813566306
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780813566306.jpg
942			_cEB
999			_c200144 _d200144