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001			200190
003			IT-RoAPU
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007			cr || ||||||||
008			210830t20152015nju fo d z eng d
010			_a2014014281
020			_a9780813571362 _qprint
020			_a9780813571379 _qPDF
024	7		_a10.36019/9780813571379 _2doi
035			_a(DE-B1597)9780813571379
035			_a(DE-B1597)526252
035			_a(OCoLC)898070981
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1995.9.N4 _bS35 2014
072		7	_aPER000000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aScott, Ellen C. _eautore
245	1	0	_aCinema Civil Rights : _bRegulation, Repression, and Race in the Classical Hollywood Era / _cEllen C. Scott.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (268 p.) : _b30 photographs
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- _t2. State Censorship And The Color Line -- _t3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- _t4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- _tConclusion -- _tNotes -- _tIndex -- _tAbout The Author
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960s civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry's role in both articulating and censoring the national conversation on race.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aAfrican American political activists _xHistory _y20th century.
650		0	_aAfrican Americans in motion pictures.
650		0	_aAfrican Americans in the motion picture industry _xHistory _y20th century.
650		0	_aAfrican Americans _xCivil rights _xHistory _y20th century.
650		0	_aMotion picture industry _zUnited States _xHistory _y20th century.
650		0	_aMotion pictures _xCensorship _zUnited States _xHistory _y20th century.
650		0	_aMotion pictures _zUnited States _xHistory _y20th century.
650		0	_aRacism in motion pictures.
650		0	_aStereotypes (Social psychology) in motion pictures.
650		7	_aPERFORMING ARTS / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813571379
856	4	0	_uhttps://www.degruyter.com/isbn/9780813571379
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780813571379.jpg
942			_cEB
999			_c200190 _d200190