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008 210107t20162016nju fo d z eng d
010 _a2016003234
020 _a9780813574707
_qprint
020 _a9780813574738
_qPDF
024 7 _a10.36019/9780813574738
_2doi
035 _a(DE-B1597)9780813574738
035 _a(DE-B1597)526298
035 _a(OCoLC)958499038
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aML3918.R63
_bD87 2017
072 7 _aMUS000000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aDyck, Kirsten
_eautore
245 1 0 _aReichsrock :
_bThe International Web of White-Power and Neo-Nazi Hate Music /
_cKirsten Dyck.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2016]
264 4 _c©2016
300 _a1 online resource (212 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_t1. What Is White-Power Music? --
_t2. The History Of White-Power Music In Britain --
_t3. The History Of White-Power Music In Continental Western Europe --
_t4. The History Of White-Power Music In Eastern Europe --
_t5. The History Of White-Power Music Outside Europe --
_t6. Conclusion --
_tNotes --
_tSelect Bibliography --
_tSelect Recordings Cited --
_tIndex --
_tAbout The Author
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFrom rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Jan 2021)
650 0 _aHate groups.
650 0 _aHeavy metal (Music)
_xPolitical aspects.
650 0 _aHeavy metal (Music)
_xSocial aspects.
650 0 _aNeo-Nazism.
650 0 _aPunk rock music
_xPolitical aspects.
650 0 _aPunk rock music
_xSocial aspects.
650 0 _aWhite supremacy movements.
650 7 _aMUSIC / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813574738
856 4 0 _uhttps://www.degruyter.com/isbn/9780813574738
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813574738.jpg
942 _cEB
999 _c200230
_d200230