000 03590nam a22005055i 4500
001 200326
003 IT-RoAPU
005 20221214233159.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210830t20182018nju fo d z eng d
020 _a9780813586342
_qprint
020 _a9780813586366
_qPDF
024 7 _a10.36019/9780813586366
_2doi
035 _a(DE-B1597)9780813586366
035 _a(DE-B1597)526119
035 _a(OCoLC)1078551916
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER000000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aKelley, Andrea J.
_eautore
245 1 0 _aSoundies Jukebox Films and the Shift to Small-Screen Culture /
_cAndrea J. Kelley.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2018]
264 4 _c©2018
300 _a1 online resource (194 p.) :
_b18 figures
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTechniques of the Moving Image
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction: Soundles Jukebox Films --
_tPart I. Small- Screen Encounters and Spatial Practices --
_t1. The Look- Listening Machine: The Panoram Jukebox and New Screen Practices --
_t2. The Sites of Soundles: The Dynamics of Space and Screen --
_t3. Mobilizing Space: The Panoram Goes to War --
_tPart II. Short Forms and Enduring Formations --
_t4. Up Close and Personal: The Shifting Aesthetics of the Jukebox Short --
_t5. "A Swing Half Breed": Soundles' Hybrid Identities and Raced Attractions --
_t6. Postwar Screens: Soundles on Television and the Rehash of the Film Jukebox --
_tConclusion: Short and Sweet: Rescaling Screen Culture --
_tAcknowledgments --
_tNotes --
_tBibliography --
_tIndex --
_tAbout the Author
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSoundies Jukebox Films and the Shift to Small-Screen Culture is the first and only book to position what are called "Soundies" within the broader cultural and technological milieu of the 1940s. From 1940 to 1946, these musical films circulated in everyday venues, including bars, bowling alleys, train stations, hospitals, and even military bases. Viewers would pay a dime to watch them playing on the small screens of the Panoram jukebox. This book expands U.S. film history beyond both Hollywood and institutional film practices. Examining the dynamics between Soundies' short musical films, the Panoram's film-jukebox technology, their screening spaces and their popular discourse, Andrea J. Kelley provides an integrative approach to historic media exhibition. She situates the material conditions of Soundies' screening sites alongside formal considerations of the films and their unique politics of representation to illuminate a formative moment in the history of the small screen.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 7 _aPERFORMING ARTS / General.
_2bisacsh
653 _aSoundies, jukebox, film, Panoram, Hollywood, technology, media.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813586366
856 4 0 _uhttps://www.degruyter.com/isbn/9780813586366
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813586366.jpg
942 _cEB
999 _c200326
_d200326