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020 _a9780813587134
_qPDF
024 7 _a10.36019/9780813587134
_2doi
035 _a(DE-B1597)9780813587134
035 _a(DE-B1597)526392
035 _a(OCoLC)1029055089
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER000000
_2bisacsh
082 0 4 _a791.4302/33092
_223
084 _aonline - DeGruyter
100 1 _aAbrams, Nathan
_eautore
245 1 0 _aStanley Kubrick :
_bNew York Jewish Intellectual /
_cNathan Abrams.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2018]
264 4 _c©2018
300 _a1 online resource (340 p.) :
_b20 photographs
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1. Looking To Killing --
_t2. The Macho Mensch --
_t3. Kubrick’s Double --
_t4. Banality And The Bomb --
_t5. Kubrick And Kabbalah --
_t6. A Mechanical Mensch --
_t7. A Spatial Odyssey --
_t8. Dream Interpretation --
_t9. Men As Meat --
_t10. Kubrick’s Coda --
_tEpilogue --
_tAcknowledgments --
_tNotes --
_tSelect Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aStanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aMotion picture producers and directors
_zUnited States
_vBiography.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
653 _a2001.
653 _a2001: Space Odyssey.
653 _aA Clockwork Orange.
653 _aBarry Lyndon.
653 _aDr. Strangelove.
653 _aEyes Wide Shut.
653 _aFull Metal Jacket.
653 _aIntellectual.
653 _aJewish.
653 _aLolita.
653 _aNew York.
653 _aStanley Kubrick.
653 _aThe Shining.
653 _acinema.
653 _adirector.
653 _aethnic.
653 _afilm.
653 _aidentity.
653 _akubrick.
653 _ashining.
653 _aspace odyssey.
653 _astrangelove.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813587134
856 4 0 _uhttps://www.degruyter.com/isbn/9780813587134
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813587134.jpg
942 _cEB
999 _c200332
_d200332