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001			200370
003			IT-RoAPU
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007			cr || ||||||||
008			210830t20182018nju fo d z eng d
020			_a9780813589152 _qprint
020			_a9780813589176 _qPDF
024	7		_a10.36019/9780813589176 _2doi
035			_a(DE-B1597)9780813589176
035			_a(DE-B1597)526338
035			_a(OCoLC)999672121
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.4302/3301 _223
084			_aonline - DeGruyter
100	1		_aGodfrey, Nicholas _eautore
245	1	4	_aThe Limits of Auteurism : _bCase Studies in the Critically Constructed New Hollywood / _cNicholas Godfrey.
264		1	_aNew Brunswick, NJ : _bRutgers University Press, _c[2018]
264		4	_c©2018
300			_a1 online resource (282 p.) : _b30 black and white photographs
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tNote on the Text -- _tIntroduction: Open Roads -- _t1. Which New Hollywood? -- _t2. Easy Rider -- _tPart I: Variations on a Theme: Five Easy Riders -- _t3. Five Easy Pieces -- _t4. Two-Lane Blacktop -- _t5. Vanishing Point -- _t6. Little Fauss and Big Halsy -- _t7. Adam at 6 A.M. -- _tPart II: Politicizing Genre -- _t8. Dirty Harry -- _t9. The French Connection -- _tPart III: The Limits of Auteurism -- _t10. The Last Movie -- _t11. The Hired Hand -- _tConclusion: The End of the Road -- _tAcknowledgments -- _tFilmography -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film's twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aAuteur theory (Motion pictures).
650		0	_aMotion pictures _zUnited States _xHistory _y20th century.
650		7	_aPERFORMING ARTS / General. _2bisacsh
653			_a1960s.
653			_a1970s.
653			_aHollywood.
653			_aauteurism.
653			_acommercial cinema.
653			_amotion picture.
653			_amovies.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9780813589176?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780813589176
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780813589176.jpg
942			_cEB
999			_c200370 _d200370