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008 210830t20182018nju fo d z eng d
010 _a2017055375
020 _a9780813592763
_qPDF
024 7 _a10.36019/9780813592763
_2doi
035 _a(DE-B1597)9780813592763
035 _a(DE-B1597)526039
035 _a(OCoLC)1121052468
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995
_b.G5435 2018
072 7 _aPER000000
_2bisacsh
082 0 4 _a791.4309/05
_223
084 _aonline - DeGruyter
245 0 0 _aGlobal Cinema Networks /
_ced. by Elena Gorfinkel, Tami Williams.
264 1 _aNew Brunswick, NJ :
_bRutgers University Press,
_c[2018]
264 4 _c©2018
300 _a1 online resource (278 p.) :
_b49 b-w photographs
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aMedia Matters
505 0 0 _tFrontmatter --
_tCONTENTS --
_tIntroduction: Global Cinemas in a Time of Networks --
_tCARTOGRAPHIES, GEOPOLITICS, AESTHETICS --
_t1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA --
_t2. FRAME --
_t3. ABSTRACTION AND THE GEOPOLITICAL: Lessons from Antonioni’s Trip to China --
_t4. THE CITY OF BITS AND URBAN RULE: Media Archaeology, Urban Space, and Contemporary Chinese Documentary --
_tGLOBAL IDEALITY, HISTORY, REPRESENTATION --
_t5. TOWARD AN ARCHAEOLOGY OF GLOBAL RHYTHMS: Melodie der Welt and Its Reception in France --
_t6. WHEN CINEMA WAS HUMANISM --
_t7. AFRICAN CINEMA: Digital Media and Expanding Frames of Representation --
_t8. CHANGING CIRCUMSTANCES: Global Flows of Lesbian Cinema --
_tPart III. KINSHIPS, IDENTIFICATIONS, GENRES --
_t9. HERMANO AND LA HORA CERO: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema --
_t10. BETWEEN LOVE AND THE MORAL LAW: The Fatal Mother in Park Chan-wook’s Lady Vengeance --
_t11. THE QUEER MEXICAN CINEMA OF JULIÁN HERNÁNDEZ --
_t12. THE GANGSTER FILM AS WORLD CINEMA --
_tEPILOGUE 24 FRAMES: Regarding the Past and Future of Global Cinema --
_tACKNOWLEDGMENTS --
_tNOTES ON CONTRIBUTORS --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aGlobal Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aMotion pictures
_xHistory
_y21st century.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
653 _aAfrica.
653 _aAsia.
653 _aEurope.
653 _aLatin America.
653 _aMiddle East.
653 _acinema.
653 _adigital.
653 _afilm.
653 _aglobal.
653 _ainternational.
653 _amedia.
653 _atechnology.
653 _atransnational.
653 _aworld.
700 1 _aAlvaray, Luisela
_eautore
700 1 _aAndrew, Dudley
_eautore
700 1 _aBlasini, Gilberto M.
_eautore
700 1 _aGorfinkel, Elena
_eautore
_ecuratore
700 1 _aGuido, Laurent
_eautore
700 1 _aMartin, Adrian
_eautore
700 1 _aPaik, Peter Y.
_eautore
700 1 _aRhodes, John David
_eautore
700 1 _aSchoonover, Karl
_eautore
700 1 _aTweedie, James
_eautore
700 1 _aUkadike, Frank
_eautore
700 1 _aUkadike, N. Frank
_eautore
700 1 _aWhite, Patricia
_eautore
700 1 _aWilliams, Tami
_eautore
_ecuratore
700 1 _aXu, Jian
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.36019/9780813592763
856 4 0 _uhttps://www.degruyter.com/isbn/9780813592763
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780813592763.jpg
942 _cEB
999 _c200401
_d200401