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008 231101t20122012nyu fo d z eng d
010 _a2011038308
020 _a9780814764053
_qprint
020 _a9780814763025
_qPDF
024 7 _a10.18574/nyu/9780814763025.001.0001
_2doi
035 _a(DE-B1597)9780814763025
035 _a(DE-B1597)547436
035 _a(OCoLC)778455386
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aHM742
_b.S6284 2012
050 4 _aHM742
_b.S6284 2012
072 7 _aLAW096000
_2bisacsh
082 0 4 _a302.23/1
_223
084 _aonline - DeGruyter
245 0 4 _aThe Social Media Reader /
_ced. by Michael Mandiberg.
264 1 _aNew York, NY :
_bNew York University Press,
_c[2012]
264 4 _c©2012
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWith the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field.Culling a broad range and incorporating different styles of scholarship from foundational pieces and published articles to unpublished pieces, journalistic accounts, personal narratives from blogs, and whitepapers, The Social Media Reader promises to be an essential text, with contributions from Lawrence Lessig, Henry Jenkins, Clay Shirky, Tim O'Reilly, Chris Anderson, Yochai Benkler, danah boyd, and Fred von Loehmann, to name a few. It covers a wide-ranging topical terrain, much like the internet itself, with particular emphasis on collaboration and sharing, the politics of social media and social networking, Free Culture and copyright politics, and labor and ownership. Theorizing new models of collaboration, identity, commerce, copyright, ownership, and labor, these essays outline possibilities for cultural democracy that arise when the formerly passive audience becomes active cultural creators, while warning of the dystopian potential of new forms of surveillance and control.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650 0 _aSocial media.
650 0 _aTechnological innovations
_xSocial aspects.
650 7 _aLAW / Media & the Law.
_2bisacsh
700 1 _aMandiberg, Michael
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://www.degruyter.com/isbn/9780814763025
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780814763025/original
942 _cEB
999 _c201200
_d201200