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| 001 | 201400 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163304.0 | ||
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| 008 | 231101t20132013nyu fo d z eng d | ||
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_a9780814770412 _qprint |
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_a9780814770955 _qPDF |
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_a10.18574/nyu/9780814770955.001.0001 _2doi |
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| 035 | _a(DE-B1597)9780814770955 | ||
| 035 | _a(DE-B1597)548171 | ||
| 035 | _a(OCoLC)1125818798 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aSOC001000 _2bisacsh |
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| 082 | 0 | 4 |
_a782.42089/96 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRedmond, Shana L. _eautore |
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| 245 | 1 | 0 |
_aAnthem : _bSocial Movements and the Sound of Solidarity in the African Diaspora / _cShana L. Redmond. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 |
_a1 online resource : _b6 black and white illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aFor people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I.Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world-from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)-Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 7 |
_aSOCIAL SCIENCE / Ethnic Studies / African American Studies. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780814770955 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780814770955/original |
| 942 | _cEB | ||
| 999 |
_c201400 _d201400 |
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