| 000 | 03335nam a2200505Ia 4500 | ||
|---|---|---|---|
| 001 | 201425 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163305.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20132013nyu fo d z eng d | ||
| 020 |
_a9780814771891 _qprint |
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| 020 |
_a9780814771907 _qPDF |
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| 024 | 7 |
_a10.18574/nyu/9780814771891.001.0001 _2doi |
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| 035 | _a(DE-B1597)9780814771907 | ||
| 035 | _a(DE-B1597)547708 | ||
| 035 | _a(OCoLC)843882907 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPN1993.5.I8 _bP86 2016 |
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| 072 | 7 |
_aSOC031000 _2bisacsh |
|
| 082 | 0 | 4 |
_a791.430954 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPunathambekar, Aswin _eautore |
|
| 245 | 1 | 0 |
_aFrom Bombay to Bollywood : _bThe Making of a Global Media Industry / _cAswin Punathambekar. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 |
_a1 online resource : _b28 black and white illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPostmillennial Pop ; _v5 |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aFrom Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry's geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar's transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aMotion picture industry _zIndia. |
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| 650 | 0 |
_aMotion pictures _zIndia. |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Discrimination & Race Relations. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780814771907 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780814771907/original |
| 942 | _cEB | ||
| 999 |
_c201425 _d201425 |
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