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| 001 | 201855 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501181828.0 | ||
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| 008 | 230103t20112011nyu fo d z eng d | ||
| 020 | _a9780823244348 _qPDF | ||
| 024 | 7 | _a10.1515/9780823244348 _2doi | |
| 035 | _a(DE-B1597)9780823244348 | ||
| 035 | _a(DE-B1597)554976 | ||
| 035 | _a(OCoLC)732959331 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aN8600 _b.T345 2011 | |
| 072 | 7 | _aART043000 _2bisacsh | |
| 082 | 0 | 4 | _a706 _223 | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | _aTaking AIM! : _bThe Business of Being an Artist Today / _ced. by Marysol Nieves. | 
| 264 | 1 | _aNew York, NY : _bFordham University Press, _c[2011] | |
| 264 | 4 | _c©2011 | |
| 300 | _a1 online resource (316 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tCONTENTS -- _tAIM Foreword -- _tAcknowledgments -- _tTaking AIM: An Introduction -- _tTalking AIM: A Conversation with Holly Block and Jackie Battenfield -- _tTHE ARTIST -- _tThree Decades, Three Artists: Rina Banerjee, Kate Gilmore, and Whitfield Lovell -- _tSmall Worlds: An Interview with Polly Apfelbaum and Amy Cutler -- _tArt without Market -- _tTHE CURATOR -- _tClimate Change: East Coast to West Coast Curators Articulate the Evolving Curatorial Role -- _tTHE CRITIC -- _tArt Criticism at Present: Five Voices -- _tAIM in Review: The Critics’ Perspective -- _tTHE DEALER -- _tGallerists and the Marketplace -- _tTHE COLLECTOR -- _tThe Scoop on Miami -- _tCultivating Young Collectors through The Contemporaries -- _tINTERSTICE -- _tThe Leibowitz Questionnaire -- _tTHE ART ADVISOR AND CORPORATE CURATOR -- _tThe Journey from the Studio to the Collection: Six Interviews with Art Advisors, Corporate Curators, and Others -- _tTHE ART FAIR DIRECTOR -- _tThe Art Fair Effect -- _tFOUNDATIONS AND ARTS COUNCILS -- _tFunding Artists: An Inside Perspective -- _tARTISTS’ RESIDENCIES AND COMMISSIONING OPPORTUNITIES -- _tBetween the Lines: Residencies, Commissions, and Public Art -- _tTHE WEB AND SOCIAL NETWORKING -- _tArt World 2.0 -- _tSelected Chronology of World and Art Events, 1979–2010 -- _tSelected Bibliography and Resources -- _tArtist in the Marketplace Alumni List -- _tList of Contributors | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aTaking Aim! The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furtheringtheir careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries.Published in celebration of the 30th anniversary of Artist in the Marketplace (AIM)—the pioneering career development program at the Bronx Museum of the Arts—Taking AIM! The Business of Being an Artist Today mirrors the structure and topics featured in the AIM program’s weekly workshops and discussions. Each chapter focuses on the specific perspective of an “art world insider”—from the artist to the public art program director to the blogger. Multiple viewpoints from a range of art professionals provide emerging artists with candid, uncensored information and tools to help them better understand this complex field and develop strategies for building and sustaining successful careers as professional artists.The book ends with an annotated chronology of the past three decades in the contemporary art field and a bibliography of publications, magazine articles, online sources, funding sources, residency programs, and other useful information for emerging artists. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
| 650 | 0 | _aArt _xEconomic aspects. | |
| 650 | 4 | _aArt & Visual Culture. | |
| 650 | 4 | _aCommunications. | |
| 650 | 7 | _aART / Business Aspects. _2bisacsh | |
| 700 | 1 | _aAranda-Alvarado, Rocío _eautore | |
| 700 | 1 | _aBasha, Regine _eautore | |
| 700 | 1 | _aBlock, Holly _eautore | |
| 700 | 1 | _aCofré, Ian _eautore | |
| 700 | 1 | _aEllis, Kianga _eautore | |
| 700 | 1 | _aEspinel, Mónica _eautore | |
| 700 | 1 | _aLeibowitz, Cary _eautore | |
| 700 | 1 | _aLopez-Chahoud, Omar _eautore | |
| 700 | 1 | _aNieves, Marysol _eautore _ecuratore | |
| 700 | 1 | _aRachleff, Melissa _eautore | |
| 700 | 1 | _aReid, Rodney _eautore | |
| 700 | 1 | _aReisman, Sara _eautore | |
| 700 | 1 | _aRubinstein, Raphael _eautore | |
| 700 | 1 | _aSergio Bessa, Antonio _eautore | |
| 700 | 1 | _aSholis, Brian _eautore | |
| 700 | 1 | _aStein, Axel _eautore | |
| 700 | 1 | _aStellweg, Carla _eautore | |
| 700 | 1 | _aToll, Barbara _eautore | |
| 700 | 1 | _aVidokle, Anton _eautore | |
| 700 | 1 | _aYee, Lydia _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780823244348?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780823244348 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823244348/original | 
| 942 | _cEB | ||
| 999 | _c201855 _d201855 | ||