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001			201902
003			IT-RoAPU
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008			230103t20132013nyu fo d z eng d
020			_a9780823254156 _qprint
020			_a9780823254187 _qPDF
024	7		_a10.1515/9780823254187 _2doi
035			_a(DE-B1597)9780823254187
035			_a(DE-B1597)555247
035			_a(OCoLC)962450529
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN56.L33 _bC58 2014
072		7	_aPHI019000 _2bisacsh
082	0	4	_a809.933554 _223
084			_aonline - DeGruyter
100	1		_aClarkson, Carrol _eautore
245	1	0	_aDrawing the Line : _bToward an Aesthetics of Transitional Justice / _cCarrol Clarkson.
264		1	_aNew York, NY : _bFordham University Press, _c[2013]
264		4	_c©2013
300			_a1 online resource (224 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aJust Ideas
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tPART I. Drawing the Line -- _t1. Drawing the Line -- _t2. Redrawing the Lines -- _tPART II. Crossing the Line -- _t3. Justice and the Art of Transition -- _t4. Intersections: Ethics and Aesthetics -- _t5. Poets, Philosophers, and Other Animals -- _tPART III. Lines of Force -- _t6. Visible and Invisible: What Surfaces in Th ree Johannesburg Novels? -- _t7. Who Are We? -- _tConclusion -- _tReferences -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aDrawing the Line examines the ways in which cultural, political, and legal lines are imagined, drawn, crossed, erased, and redrawn in post-apartheid South Africa—through literary texts, artworks, and other forms of cultural production. Under the rubric of a philosophy of the limit, and with reference to a range of signifying acts and events, this book asks what it takes to recalibrate a sociopolitical scene, shifting perceptions of what counts and what matters, of what can be seen and heard, of what can be valued or regarded as meaningful.The book thus argues for an aesthetics of transitional justice and makes an appeal for a postapartheid aesthetic inquiry, as opposed to simply a political or a legal one. Each chapter brings a South African artwork, text, speech, building, or social encounter into conversation with debates in critical theory and continental philosophy, asking: What challenge do these South African acts of signification and resignification pose to current literary-philosophical debates?
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650		0	_aAuthors, South African _xAesthetics.
650		0	_aJustice in literature.
650		0	_aLaw and aesthetics.
650		0	_aLaw and ethics.
650		0	_aTransitional justice _zSouth Africa.
650		4	_aAfrican Studies.
650		4	_aPhilosophy & Theory.
650		4	_aPolitical Science.
650		7	_aPHILOSOPHY / Political. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823254187?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823254187
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823254187/original
942			_cEB
999			_c201902 _d201902