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020 _a9780823267057
_qprint
020 _a9780823267088
_qPDF
024 7 _a10.1515/9780823267088
_2doi
035 _a(DE-B1597)9780823267088
035 _a(DE-B1597)555224
035 _a(OCoLC)960165788
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML3800
_b.S96813 2016eb
072 7 _aMUS020000
_2bisacsh
082 0 4 _a781.1
_223
084 _aonline - DeGruyter
100 1 _aSzendy, Peter
_eautore
245 1 0 _aPhantom Limbs :
_bOn Musical Bodies /
_cPeter Szendy.
264 1 _aNew York, NY :
_bFordham University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (208 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tTraining --
_tChapter 1 Interpreting Bodies --
_tChapter 2 Effictions --
_tChapter 3 Organologics (1): The Erasure of Bodies --
_tChapter 4 Touch-ups, or The Return of Bodies --
_tChapter 5 Idiotisms, or The Dialect of Bodies --
_tChapter 6 Monk, a Legend --
_tChapter 7 Traces of Fingers --
_tChapter 8 Digital Rhetoric --
_tChapter 9 Ablations and Grafts (Too Many Fingers) --
_tChapter 10 Romantic Fingers (System of Touch) --
_tChapter 11 Feet --
_tChapter 12 Joyful Tropiques (Evolution, Revolutions) --
_tChapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) --
_tChapter 14 Organologics (2): Autophony --
_tChapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors --
_tChapter 16 Telepathy --
_tChapter 17 Scruples (Clones and Stand-ins) --
_tChapter 18 Conducting (Seen from the Back) --
_tChapter 19 Genesis (2): Fantasia, or "Plasmaticity" --
_tChapter 20 Touching from Afar --
_tChapter 21 Organologics (3): Areality --
_tChapter 22 Bodies Electric --
_tChapter 23 Mass Formations --
_tP.S. --
_tNotes
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe prostheses Peter Szendy explores-those peculiar artifacts known as musical instruments-are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy's hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective "social" body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music's conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aHuman body in music.
650 0 _aMusic
_xPhilosophy and aesthetics.
650 7 _aMUSIC / History & Criticism.
_2bisacsh
700 1 _aBishop, Will
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780823267088?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780823267088
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780823267088/original
942 _cEB
999 _c202068
_d202068