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001			202123
003			IT-RoAPU
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008			220302t20162016nyu fo d z eng d
020			_a9780823271306 _qprint
020			_a9780823271337 _qPDF
024	7		_a10.1515/9780823271337 _2doi
035			_a(DE-B1597)9780823271337
035			_a(DE-B1597)555167
035			_a(OCoLC)933596331
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS153.A84 _bM34 2016
072		7	_aLIT004030 _2bisacsh
082	0	4	_a810.9/895 _223
084			_aonline - DeGruyter
100	1		_aMagosaki, Rei _eautore
245	1	0	_aTricksters and Cosmopolitans : _bCross-Cultural Collaborations in Asian American Literary Production / _cRei Magosaki.
264		1	_aNew York, NY : _bFordham University Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (168 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. Trickster Poetics at the Turn of the Twentieth Century -- _t2. The Making of the Cosmopolitan Subject -- _t3. L.A.-Paris-New York: The Parameters of Literary Production at the Turn of the Twenty-First Century -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aTricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui Sin Far, Jessica Hagedorn, Karen Tei Yamashita, Monique Truong, and Min Jin Lee. The newly imagined cosmopolitan subject that emerges from their works dramatically reconfigured Asian American female subjectivity in metropolitan space with a kind of fluidity and ease never before seen. But as Rei Magosaki shows, these narratives also invariably expose the problematic side of this figure, which also serves to perpetuate exploitative structures of Western imperialism and its legacies in late capitalism.Arguing that the actual establishment of such a critical standpoint on imperialism and globalization required the expansive and internationalist vision of editors who supported, cultivated, and promoted these works, Tricksters and Cosmopolitans reveals the negotiations between these authors and their publishers and between the shared investment in both politics and aesthetics that influenced the narrative structure of key works in the Asian American literary canon.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aAmerican literature _xAsian American authors _xHistory and criticism.
650		0	_aAuthors and publishers _zUnited States.
650		0	_aAuthorship _xCollaboration.
650		0	_aAuthorship _xSocial aspects _zUnited States.
650		4	_aAsian American Studies.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / American / Asian American. _2bisacsh
653			_aArchival Research.
653			_aAsian American Editors.
653			_aAsian American Literature.
653			_aAsian American Writers.
653			_aCosmopolitans.
653			_aGlobalization.
653			_aJessica Hagedorn.
653			_aKaren Tei Yashamita.
653			_aLiterary Criticism.
653			_aMin Jee Lee.
653			_aMonique Truong.
653			_aNarrative Fiction.
653			_aPublishing History.
653			_aSui Sin Far.
653			_aTricksters.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823271337
856	4	0	_uhttps://www.degruyter.com/isbn/9780823271337
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823271337/original
942			_cEB
999			_c202123 _d202123