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| 001 | 202146 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214233313.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220302t20172017nyu fo d z eng d | ||
| 020 |
_a9780823273355 _qprint |
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_a9780823273379 _qPDF |
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| 024 | 7 |
_a10.1515/9780823273379 _2doi |
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| 035 | _a(DE-B1597)9780823273379 | ||
| 035 | _a(DE-B1597)555330 | ||
| 035 | _a(OCoLC)965766383 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT019000 _2bisacsh |
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| 082 | 0 | 4 | _a809.02 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHui, Andrew _eautore |
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| 245 | 1 | 4 |
_aThe Poetics of Ruins in Renaissance Literature / _cAndrew Hui. |
| 264 | 1 |
_aNew York, NY : _bFordham University Press, _c[2017] |
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| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (296 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aVerbal Arts: Studies in Poetics | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tFigures and Color Plates -- _tIntroduction. A Japanese Friend -- _tPart I -- _tChapter 1. The Rebirth of Poetics -- _tChapter 2. The Rebirth of Ruins -- _tPart II -- _tChapter 3. Petrarch's Vestigia and the Presence of Absence -- _tChapter 4. The Hypnerotomachia Poliphili and the Erotics of Fragments -- _tChapter 5. Du Bellay's Cendre and the Formless Signifier -- _tChapter 6. Spenser's Moniment and the Allegory of Ruins -- _tEpilogue. Fallen Castles and Summer Grass -- _tAcknowledgments -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 4 | _aArt & Visual Culture. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 4 | _aRenaissance Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / Renaissance. _2bisacsh |
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| 653 | _aAesthetic of Ruins. | ||
| 653 | _aCultural Philology. | ||
| 653 | _aDu Bellay. | ||
| 653 | _aHypnerotomachia Poliphili. | ||
| 653 | _aMonuments. | ||
| 653 | _aPetrarch. | ||
| 653 | _aPoetic Immortality. | ||
| 653 | _aRenaissance Aesthetics. | ||
| 653 | _aSpenser. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780823273379 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780823273379 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823273379/original |
| 942 | _cEB | ||
| 999 |
_c202146 _d202146 |
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