000			04656nam a22007095i 4500
001			202205
003			IT-RoAPU
005			20221214233316.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220302t20172018nyu fo d z eng d
020			_a9780823277759 _qprint
020			_a9780823277780 _qPDF
024	7		_a10.1515/9780823277780 _2doi
035			_a(DE-B1597)9780823277780
035			_a(DE-B1597)554985
035			_a(OCoLC)1028940849
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS374.R34
072		7	_aLIT004020 _2bisacsh
082	0	4	_a813/.5093552 _223
084			_aonline - DeGruyter
100	1		_aJerng, Mark C. _eautore
245	1	0	_aRacial Worldmaking : _bThe Power of Popular Fiction / _cMark C. Jerng.
264		1	_aNew York, NY : _bFordham University Press, _c[2017]
264		4	_c©2018
300			_a1 online resource (272 p.) : _b1
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tcontents -- _tintroduction. Racial Worldmaking -- _tpart I. Yellow Peril Genres -- _tchapter 1. Worlds of Color -- _tchapter 2. Futures Past of Asiatic Racialization -- _tpart II. Plantation Romance -- _tchapter 3. Romance and Racism after the Civil War -- _tchapter 4. Reconstructing Racial Perception -- _tpart III. Sword and Sorcery -- _tchapter 5. The "Facts" of Blackness and Anthropological Worlds -- _tchapter 6. Fantasies of Blackness and Racial Capitalism -- _tpart IV. Alternate History -- _tchapter 7. Racial Counterfactuals and the Uncertain Event of Emancipation -- _tchapter 8. Alternate Histories of World War II; or, How the Race Concept Organizes the World -- _tconclusion. On the Possibilities of an Antiracist Racial Worldmaking -- _tacknowledgments -- _tnotes -- _tbibliography -- _tindex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhen does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named "racial worldmaking" because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aAmerican fiction _xHistory and criticism.
650		0	_aAsians in literature.
650		0	_aBlack people in literature.
650		0	_aBlacks in literature.
650		0	_aEnglish fiction _xHistory and criticism.
650		0	_aGroup identity in literature.
650		0	_aLiterature and society.
650		0	_aRace discrimination _zUnited States.
650		0	_aRacism in literature.
650		7	_aLITERARY CRITICISM / American / General. _2bisacsh
653			_aAfrican American.
653			_aAsian American.
653			_aFantasy.
653			_aGenre.
653			_aPlantation Romance.
653			_aPopular fiction.
653			_aRace.
653			_aScience Fiction.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823277780?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823277780
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823277780/original
942			_cEB
999			_c202205 _d202205