000			04287nam a22006975i 4500
001			202211
003			IT-RoAPU
005			20221214233316.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220302t20182018nyu fo d z eng d
020			_a9780823278114 _qprint
020			_a9780823278145 _qPDF
024	7		_a10.1515/9780823278145 _2doi
035			_a(DE-B1597)9780823278145
035			_a(DE-B1597)555422
035			_a(OCoLC)1013521947
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPHI001000 _2bisacsh
082	0	4	_a411 _223
084			_aonline - DeGruyter
100	1		_aSzendy, Peter _eautore
245	1	0	_aOf Stigmatology : _bPunctuation as Experience / _cPeter Szendy.
264		1	_aNew York, NY : _bFordham University Press, _c[2018]
264		4	_c©2018
300			_a1 online resource (184 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aVerbal Arts: Studies in Poetics
505	0	0	_tFrontmatter -- _tContents -- _tTranslator's Note -- _t1 Stigmatology -- _t2 From the Rubrica to the Smiley: A Portable History -- _t3 The Point of (No) Monument, or Tristram's Cut -- _t4 (Un)pointings -- _t5 P.S.: On Restitching (Lacan vs. Derrida) -- _t6 Phrasing, or The Holes in Meaning -- _t7 The Dotted Lines of Auscultation -- _t8 Monauralisms, or The Bubble of Quotation Marks -- _t9 Punctum Saliens, or The Pulsating Point -- _t10 The Point of the Overcast Stitch -- _t11 Ekphrasis -- _t12 General Chatter -- _t13 Punctuation and Politics, or Th e Dot above the i -- _t14 Final Survey -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhat if our existence is a product of its interruptions? What if the words that structure our lives are themselves governed by the periods and commas that bring them to a close, or our images by the cinematic cuts that mark them off? Are we, like Chekhov's clerk, who dreams of being pursued by angry exclamation marks, or Scorsese's Jake LaMotta, bloodied by one violently edited fight after another, the products of punctuation-or as Peter Szendy asks us to think of it, punchuation? Of Stigmatology elaborates for the first time a general theory of punctuation. Beginning with punctuation marks in the common sense, Peter Szendy goes on to trace the effects of punctuation more broadly, arguing that looking and hearing are not passive acts of reception, but themselves punctuate the images and sounds they take in. Szendy reads an astonishing range of texts and traditions, from medical auscultation to literature (Chekhov, Sterne, Kafka), philosophy (Hegel, Nietzsche, Heidegger, Derrida), psychoanalysis (Lacan), and film (Raging Bull, The Trial, Fight Club).Repeatedly, what Szendy finds in these works is a punctuation that marks experience itself, that seeks (and ultimately fails) to bind the subject to itself. This is the stigmatology of the punctuation mark on the page that structures texts from ancient to digital, as well as the punchuation of experience, as though at the hands of a boxer.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aPunctuation.
650		0	_aSigns and symbols.
650		0	_aWritten communication.
650		4	_aLiterary Studies.
650		4	_aMusic.
650		4	_aPhilosophy & Theory.
650		7	_aPHILOSOPHY / Aesthetics. _2bisacsh
653			_aAuscultation.
653			_aLiterature.
653			_aPunctuation.
653			_aStigmatology.
653			_adeconstruction.
653			_aexperience.
653			_afilm.
653			_aphilosophy.
653			_apsychoanalysis.
700	1		_aPlug, Jan _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823278145?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823278145
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823278145/original
942			_cEB
999			_c202211 _d202211