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008 220302t20192019nyu fo d z eng d
020 _a9780823282227
_qprint
020 _a9780823282241
_qPDF
024 7 _a10.1515/9780823282241
_2doi
035 _a(DE-B1597)9780823282241
035 _a(DE-B1597)555222
035 _a(OCoLC)1076269260
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN56.G55
_bH86 2019
072 7 _aLIT024060
_2bisacsh
082 0 4 _a809/.933553
_223
084 _aonline - DeGruyter
100 1 _aHunter, Walt
_eautore
245 1 0 _aForms of a World :
_bContemporary Poetry and the Making of Globalization /
_cWalt Hunter.
264 1 _aNew York, NY :
_bFordham University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (192 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1. Stolen Landscapes: The Investments of the Ode and the Politics of Land --
_t2. Let Us Go: Lyric and the Transit of Citizenship --
_t3. The Crowd to Come: Poetic Exhortations from Brooklyn to Kashmir --
_t4. The No-Prospect Poem: Poetic Views of the Anthropocene --
_tCoda --
_tAcknowledgments --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhat happens when we think of poetry as a global literary form, while also thinking the global in poetic terms? Forms of a World shows how the innovations of contemporary poetics have been forged through the transformations of globalization across five decades. Sensing the changes wrought by neoliberalism before they are made fully present, poets from around the world have creatively intervened in global processes by remaking poetry's formal repertoire. In experimental reinventions of the ballad, the prospect poem, and the ode, Hunter excavates a new, globalized interpretation of the ethical and political relevance of forms. Forms of a World contends that poetry's role is not only to make visible thematically the violence of global dispossessions, but to renew performatively the missing conditions for intervening within these processes. Poetic acts-the rhetoric of possessing, belonging, exhorting, and prospecting-address contemporary conditions that render social life ever more precarious. Examining an eclectic group of Anglophone poets, from Seamus Heaney and Claudia Rankine to Natasha Trethewey and Kofi Awoonor, Hunter elaborates the range of ways that contemporary poets exhort us to imagine forms of social life and enable political intervention unique to but beyond the horizon of the contemporary global situation.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aLiterature and globalization.
650 7 _aLITERARY CRITICISM / Modern / 21st Century .
_2bisacsh
653 _aAnglophone poetry.
653 _aAnthropocene.
653 _acitizenship.
653 _acontemporary poetry.
653 _adispossession.
653 _afinance.
653 _aglobal capitalism.
653 _aglobalization.
653 _aprecarity.
653 _aracial capitalism.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780823282241?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780823282241
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780823282241/original
942 _cEB
999 _c202278
_d202278