000			03980nam a22005535i 4500
001			202288
003			IT-RoAPU
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008			220302t20182019nyu fo d z eng d
020			_a9780823282708 _qprint
020			_a9780823282746 _qPDF
024	7		_a10.1515/9780823282746 _2doi
035			_a(DE-B1597)9780823282746
035			_a(DE-B1597)554992
035			_a(OCoLC)1061124666
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS374.U74
072		7	_aLIT004020 _2bisacsh
082	0	4	_a813/.54093581 _223
084			_aonline - DeGruyter
100	1		_aTucker-Abramson, Myka _eautore
245	1	0	_aNovel Shocks : _bUrban Renewal and the Origins of Neoliberalism / _cMyka Tucker-Abramson.
264		1	_aNew York, NY : _bFordham University Press, _c[2018]
264		4	_c©2019
300			_a1 online resource (208 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tcontents -- _tIntroduction -- _tchapter 1. Blueprints: Invisible Man and the Great Migration to White Flight -- _tchapter 2. The Price of Salt Is the City: Patricia Highsmith and the Queer Frontiers of Neoliberalism -- _tchapter 3. Naked Lunch, Or, the Last Snapshot of the Surrealists -- _tchapter 4. Shock Therapy: Atlas Shrugged, Urban Renewal, and the Making of the Entrepreneurial Subject -- _tchapter 5. Fallen Corpses and Rising Cities: The Bell Jar and the Making of the New Woman -- _tConclusion: The Siege of Harlem and Its Commune -- _tacknowledgments -- _tnotes -- _tworks cited -- _tindex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThroughout the 1950s, a coalition of developers, politicians, and planners bulldozed vast areas of land deemed "slums" or "blighted" to make way for freeways, public and private housing projects, cultural centers, and skyscrapers. While the program was national, New York was ground zero, and the demolition and monumental reconstruction of the city created a distinctive urban sensorium, rooted in the new segregated landscapes of prosperous white private space and poor black public space.Novel Shocks situates these landscapes at the center of the midcentury novel, arguing that James Baldwin, Ralph Ellison, Patricia Highsmith, Ayn Rand, William Burroughs, Sylvia Plath, and Warren Miller all registered these new urban spaces as traumatic "shocks" that required new aesthetic forms. Rejecting older shock-based modernisms, these novelists forged a new modernism, which reimagined shock as a therapeutic force that would create a more flexible, self-reliant, and resilient subject that would nourish neoliberalism's roots. In offering a cultural prehistory of neoliberalism, Novel Shocks resituates the Cold War novel as a key archive for understanding neoliberalism's emergence and offers a more materialist and historically grounded account of neoliberalism's subjective, affective, and ideological structures.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aAmerican fiction _y20th century _xHistory and criticism.
650		0	_aDiscrimination in literature.
650		0	_aNeoliberalism _zUnited States _xHistory _y20th century.
650		0	_aUrban renewal in literature.
650		7	_aLITERARY CRITICISM / American / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823282746?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823282746
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823282746/original
942			_cEB
999			_c202288 _d202288