000 04292nam a22006015i 4500
001 202301
003 IT-RoAPU
005 20221214233320.0
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008 220302t20192019nyu fo d z eng d
020 _a9780823284030
_qprint
020 _a9780823284054
_qPDF
024 7 _a10.1515/9780823284054
_2doi
035 _a(DE-B1597)9780823284054
035 _a(DE-B1597)555416
035 _a(OCoLC)1101101120
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT006000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aRichter, Gerhard
_eautore
245 1 0 _aThinking with Adorno :
_bThe Uncoercive Gaze /
_cGerhard Richter.
264 1 _aNew York, NY :
_bFordham University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aIdiom: Inventing Writing Theory
505 0 0 _tFrontmatter --
_tCONTENTS --
_tIntroduction: The Art of Reading --
_t1. Adorno and the Uncoercive Gaze --
_t2. Buried Possibility: Adorno and Arendt on Tradition --
_t3. The Inheritance of the Constellation: Adorno and Hegel --
_t4. Judging by Refraining from Judgment: Adorno's Artwork and Its Einordnung --
_t5. The Literary Artwork between Word and Concept: Adorno and Agamben Reading Kafka --
_t6. The Artwork without Cardinal Direction: Notes on Orientation in Adorno --
_t7. False Life, Living On: Adorno with Derrida --
_tConclusion: A Kind of Leave-Taking --
_tAcknowledgments --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhat Theodor W. Adorno says cannot be separated from how he says it. By the same token, what he thinks cannot be isolated from how he thinks it. The central aim of Richter's book is to examine how these basic yet far-reaching assumptions teach us to think with Adorno-both alongside him and in relation to his diverse contexts and constellations. These contexts and constellations range from aesthetic theory to political critique, from the problem of judgment to the difficulty of inheriting a tradition, from the primacy of the object to the question of how to lead a right life within a wrong one.Richter vividly shows how Adorno's highly suggestive-yet often overlooked-concept of the "uncoercive gaze" designates a specific kind of comportment in relation to an object of critical analysis: It moves close to the object and tarries with it while struggling to decipher the singularities and non-identities that are lodged within it, whether the object is an idea, a thought, a concept, a text, a work of art, an experience, or a problem of political or sociological theory.Thinking with Adorno's uncoercive gaze not only means following the fascinating paths of his own work; it also means extending hospitality to the ghostly voices of others. As this book shows, Adorno is best understood as a thinker in dialogue, whether with long-deceased predecessors in the German tradition such as Kant and Hegel, with writers such as Kafka, with contemporaries such as Benjamin and Arendt, or with philosophical voices that succeeded him, such as those of Derrida and Agamben.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 4 _aLiterary Studies.
650 4 _aPhilosophy & Theory.
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
653 _aAdorno.
653 _aFrankfurt School.
653 _amethodology of critical theory.
653 _arelationship to objects of study.
653 _arole of language in Adorno.
653 _astyle of thinking.
653 _auncoercive gaze.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780823284054?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780823284054
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780823284054/original
942 _cEB
999 _c202301
_d202301