000			04209nam a22006255i 4500
001			202305
003			IT-RoAPU
005			20221214233320.0
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007			cr || ||||||||
008			220302t20192019nyu fo d z eng d
020			_a9780823284184 _qprint
020			_a9780823284207 _qPDF
024	7		_a10.1515/9780823284207 _2doi
035			_a(DE-B1597)9780823284207
035			_a(DE-B1597)555445
035			_a(OCoLC)1083098157
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004120 _2bisacsh
082	0	4	_a821/.709 _223
084			_aonline - DeGruyter
100	1		_aSwann, Karen _eautore
245	1	0	_aLives of the Dead Poets : _bKeats, Shelley, Coleridge / _cKaren Swann.
264		1	_aNew York, NY : _bFordham University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource (272 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aLit Z
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _t1. Tracing Keats -- _t2. The art of losing: Shelley's Adonais -- _t3. Shelley's pod people -- _t4. Late Coleridge -- _t5. Coleridge the talker -- _tCoda -- _tAcknowledgments -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAny reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge's case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials-death masks, bits of bone, locks of hair, a heart-initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus.Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination-the untoward and involuntary clinging of attention to the biographical subject-is thus "posthumous" in Keats's evocative sense of the term, its life equivocally sustained beyond its period.Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry's allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets' afterlives offer an opening for poetry's survival, from its first nineteenth-century death sentences into our present.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aEnglish poetry _y19th century _xHistory and criticism.
650		0	_aPoets, English _y19th century _vBiography.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
653			_aAllegory.
653			_aBiography.
653			_aColeridge, Samuel Taylor.
653			_aCommodity.
653			_aKeats, John.
653			_aPoet.
653			_aPosthumous life.
653			_aShelley, Percy Bysshe.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823284207?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823284207
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823284207/original
942			_cEB
999			_c202305 _d202305