000			04157nam a22005895i 4500
001			202342
003			IT-RoAPU
005			20230501181840.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			230127t20202020nyu fo d z eng d
020			_a9780823286768 _qPDF
024	7		_a10.1515/9780823286768 _2doi
035			_a(DE-B1597)9780823286768
035			_a(DE-B1597)555332
035			_a(OCoLC)1130028110
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPHI040000 _2bisacsh
082	0	4	_a701/.18 _223
084			_aonline - DeGruyter
100	1		_aThayer, Willy _eautore
245	1	0	_aTechnologies of Critique / _cWilly Thayer.
264		1	_aNew York, NY : _bFordham University Press, _c[2020]
264		4	_c©2020
300			_a1 online resource (208 p.) : _b5
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aIdiom: Inventing Writing Theory
505	0	0	_tFrontmatter -- _tContents -- _tTranslation has always already begun: translator’s introduction -- _t1. Critique and life -- _t2. Critique and work -- _t3. The kríno constellation -- _t4. Technologies of critique -- _t5. The word “critique” -- _t6. Marx’s critical turn -- _t7. Crisis and avant-garde -- _t8. Critical attitude -- _t9. Sovereign critique I -- _t10. Hyperbole -- _t11. Sovereign critique II -- _t12. The epoch of critique -- _t13. Critique within the frame, critique of the frame -- _t14. Manet: the Kant of painting -- _t15. Heidegger’s demand -- _t16. Critique and figure -- _t17. Thought and figure -- _t18. The leveling of the pit -- _t19. The clash of film and theater -- _t20. Critique’s loss of aura -- _t21. Critique and mass -- _t22. Nihil and philosophy -- _t23. Jenny -- _t24. The epoch of nihilism. Nihil as epoch. -- _t25. The exhausted age -- _t26. The coexistence of technologies: Marx -- _t27. Referential illusion -- _t28. Critique and installation -- _t29. Critique as the unworking of theater -- _t30. Destruction -- _t31. Sovereign exception, destructive exception -- _t32. The absolute drought of critique -- _t33. Sorel: sovereign critique -- _t34. Benjamin: pure strike and critique -- _t35. The destruction of theater -- _t36. Thought is inseparable from a critique -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aCritique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. Technologies of Critique elaborates a critical practice that eludes such capture. Building on Chile’s history of dissident artists and the central entangling of politics and aesthetics, Thayer engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aArt and society.
650		0	_aArt criticism _xPolitical aspects.
650		0	_aArt criticism.
650		0	_aArt _xPolitical aspects.
650		0	_aCriticism _xHistory _y20th century.
650		4	_aArt & Visual Culture.
650		4	_aLatin American Studies.
650		4	_aPhilosophy & Theory.
650		7	_aPHILOSOPHY / Movements / Critical Theory. _2bisacsh
700	1		_aKraniauskas, John _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823286768?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823286768
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823286768/original
942			_cEB
999			_c202342 _d202342