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001			202386
003			IT-RoAPU
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008			221201t20212021nyu fo d z eng d
020			_a9780823289134 _qPDF
024	7		_a10.1515/9780823289134 _2doi
035			_a(DE-B1597)9780823289134
035			_a(DE-B1597)577740
035			_a(OCoLC)1237409964
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN6655.5.C63 _bF67 2021
072		7	_aART015110 _2bisacsh
082	0	4	_a709.81 _223
084			_aonline - DeGruyter
245	0	0	_aForm and Feeling : _bThe Making of Concretism in Brazil / _ced. by Antonio Sergio Bessa.
264		1	_aNew York, NY : _bFordham University Press, _c[2021]
264		4	_c©2021
300			_a1 online resource (256 p.) : _b96 b/w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tForm and Feeling -- _tPosteverything—An Introduction -- _tI -- _t1. Architectural Mechanisms and Body Techniques: The Experiências of Flávio de Carvalho -- _t2. Form and Sensibility: Discursive Discrepancies in Concrete and Neoconcrete Art -- _t3. The Bauhaus in Brazil: Pedagogy and Practice -- _t4. Grundlehre at the Ulm School of Design: A Survey of Basic Design Teaching -- _t5. Twisting the Modernist Curve: Mary Vieira’s Polyvolume: Meeting Point -- _t6. Lina Bo Bardi and the Creation of the School of Visual Arts in Parque Lage -- _tII -- _t7. Tropical Reason: The Making of a Counterculture in Brazil -- _t8. Epidermal and Visceral Works: Lygia Pape and Anna Maria Maiolino -- _t9. Word-Drool: The Constructive Secretions of Lygia Clark -- _t10. Emil Forman: Removing the Silence of Things -- _t11. The Funeral of Brazilian Modernism: Glauber Rocha and the Death of Di Cavalcanti -- _tIII -- _t12. Favela Noh: Haroldo de Campos and Hélio Oiticica at the Chelsea Hotel -- _t13. Retrieval of the Unreadable: Arno Holz and Sousândrade Revisited by Augusto and Haroldo de Campos -- _t14. The Wanderer, the Earth: Nature and History in the Work of Sousândrade and Paulo Nazareth -- _tAcknowledgments -- _tList of Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA significant contribution on the development and aftermath of post–World War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650		0	_aArt, Brazilian _y20th century.
650		0	_aConcrete art _zBrazil.
650		4	_aArt & Visual Culture.
650		4	_aLatin American Studies.
650		4	_aLiterary Studies.
650		7	_aART / History / Contemporary (1945-). _2bisacsh
653			_aConcretism.
653			_aHaroldo de Campos.
653			_aHélio Oiticica.
653			_aLygia Clark.
653			_aLygia Pape.
653			_aNeo-concretism.
653			_aSousândrade.
700	1		_aAsbury, Michael _eautore
700	1		_aBessa, Antonio Sergio _eautore _ecuratore
700	1		_aCalirman, Claudia _eautore
700	1		_aCoelho, Frederico _eautore
700	1		_aGonçalves, Marcos _eautore
700	1		_aGonçalves, Marcos Augusto _eautore
700	1		_aHomem de Mello, Simone _eautore
700	1		_aLira, Jose _eautore
700	1		_aLira, José T. _eautore
700	1		_aLopes, Fernanda _eautore
700	1		_aMello, Simone Homem de _eautore
700	1		_aMäntele, Martin _eautore
700	1		_aNelson, Adele _eautore
700	1		_aOliveira, Eduardo _eautore
700	1		_aOliveira, Eduardo Jorge de _eautore
700	1		_aSaldanha, Claudia _eautore
700	1		_aSterzi, Eduardo _eautore
700	1		_aValle, Luisa _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823289134?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780823289134
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823289134/original
942			_cEB
999			_c202386 _d202386