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| 001 | 202483 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501181846.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230103t20212014nyu fo d z eng d | ||
| 020 | _a9780823251001 _qprint | ||
| 020 | _a9780823291380 _qPDF | ||
| 024 | 7 | _a10.1515/9780823291380 _2doi | |
| 035 | _a(DE-B1597)9780823291380 | ||
| 035 | _a(DE-B1597)565920 | ||
| 035 | _a(OCoLC)1253313870 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 072 | 7 | _aLIT004150 _2bisacsh | |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aBlanchot, Maurice _eautore | |
| 245 | 1 | 0 | _aDesperate Clarity : _bChronicles of Intellectual Life, 1942 / _cMaurice Blanchot. | 
| 264 | 1 | _aNew York, NY : _bFordham University Press, _c[2021] | |
| 264 | 4 | _c©2014 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tIntroduction -- _tFrom the Middle Ages to Symbolism -- _tA Novel by Colette -- _tBergson and Symbolism -- _tTales and Stories -- _tThe Politics of Sainte-Beuve -- _tStories of Childhood -- _tJean Giono’s Destiny -- _tThe Revelation of Dante -- _tThree Novels -- _tAfter Dangerous Liaisons -- _tThe Misfortunes of Duranty -- _tRealism’s Chances -- _tJupiter, Mars, Quirinus -- _tIn the Land of Magic -- _tGhost Story -- _tA User’s Guide to Montherlant -- _tConsiderations on the Hero -- _t‘‘The Finest Romantic Book’’ -- _tThat Infernal Affair -- _tVigils of the Mind -- _tFire, Water, and Dreams -- _tThe Memory of Maupassant -- _tUnknown Romantics -- _tRefuges by Léon-Paul Fargue -- _tPoetic Works -- _tBad Thoughts by Paul Valéry -- _tNew Novels -- _tFrom Taine to M. de Pesquidoux -- _tNotes -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThese articles gradually outline a practical project that both looks back to the radical artistic doctrines of the late nineteenth and early twentieth centuries and anticipates the most original developments in the postwar era, among writers such as Robbe-Grillet, Butor, Sarraute, and Duras, not to mention Blanchot himself. In addition Blanchot is receptive in his weekly column to the extraordinarily wide range of original writing and thinking that was produced during the dark years of occupation, in areas such as psychology, anthropology, ancient history, linguistics, and philosophy. A highly original doctrine of writing can be seen to develop in which, thanks to the desperate clarity with which Blanchot’s mind accepts and advances into what he sees as absolute and irrevocable disaster, thought is carefully and systematically deflected away from any sort of nihilism, thanks to a new relationship between reason, with its unitary subject, and the otherness to which imagination offers access. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
| 650 | 7 | _aLITERARY CRITICISM / European / French. _2bisacsh | |
| 700 | 1 | _aHolland, Michael _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780823291380 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780823291380 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823291380/original | 
| 942 | _cEB | ||
| 999 | _c202483 _d202483 | ||