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020 _a9780823251537
_qprint
020 _a9780823292608
_qPDF
024 7 _a10.1515/9780823292608
_2doi
035 _a(DE-B1597)9780823292608
035 _a(DE-B1597)566071
035 _a(OCoLC)1306539842
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT014000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aNowell Smith, David
_eautore
245 1 0 _aSounding/Silence :
_bMartin Heidegger at the Limits of Poetics /
_cDavid Nowell Smith.
264 1 _aNew York, NY :
_bFordham University Press,
_c[2022]
264 4 _c©2013
300 _a1 online resource (256 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPerspectives in Continental Philosophy
505 0 0 _tFrontmatter --
_tContents --
_tList of Abbreviations --
_tNote on the text --
_tAcknowledgments --
_tIntroduction: The Limits of Poetics --
_t1 For the First Time --
_t2 The Naming Power of the Word --
_t3 Heidegger’s Figures --
_t4 Reading Heidegger Reading --
_tConclusion: A Poetics of Limit? --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSounding/Silence charts Heidegger’s deep engagement with poetry, situating it within the internal dynamics of his thought and within the domains of poetics and literary criticism. Heidegger viewed poetics and literary criticism with notorious disdain: He claimed that his Erläuterungen (“soundings”) of Holderlin’s poetry were not “contributions to aesthetics and literary history” but rather stemmed “from a necessity for thought.” And yet, the questions he poses—the value of significance of prosody and trope, the concept of “poetic language,” the relation between language and body, the “truth” of poetry—reach to the very heart of poetics as a discipline and indeed situate Heidegger within a wider history of thinking on poetry and poetics. Opening up points of contact between Heidegger’s discussions of poetry and technical and critical analyses of these poems, Nowell Smith addresses a lacuna within Heidegger scholarship and sets off from Heidegger’s thought to sketch a philosophical “poetics of limit.”
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 7 _aLITERARY CRITICISM / Poetry.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780823292608
856 4 0 _uhttps://www.degruyter.com/isbn/9780823292608
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780823292608/original
942 _cEB
999 _c202601
_d202601