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008 230103t20222011nyu fo d z eng d
020 _a9780823233953
_qprint
020 _a9780823292912
_qPDF
024 7 _a10.1515/9780823292912
_2doi
035 _a(DE-B1597)9780823292912
035 _a(DE-B1597)565944
035 _a(OCoLC)1306538527
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT007000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aBerthold, Daniel
_eautore
245 1 4 _aThe Ethics of Authorship :
_bCommunication, Seduction, and Death in Hegel and Kierkegaard /
_cDaniel Berthold.
264 1 _aNew York, NY :
_bFordham University Press,
_c[2022]
264 4 _c©2011
300 _a1 online resource (248 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAbbreviations --
_tAcknowledgments --
_tIntroduction: Rorschach Tests --
_t1. A Question of Style --
_t2. Live or Tell --
_t3. Kierkegaard’s Seductions --
_t4. Hegel’s Seductions --
_t5. Talking Cures --
_t6. A Penchant for Disguise: The Death (and Rebirth) of the Author in Kierkegaard and Nietzsche --
_t7. Passing Over: The Death of the Author in Hegel --
_tConclusion: The Melancholy of Having Finished --
_tAftersong: From Low Down --
_tNotes --
_tBibliography --
_tName Index --
_tSubject Index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis is a book about the ethics of authorship. Most directly, it explores different conceptualizations of the responsibilities of the author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an ethical issue, since the relation between the writing subject and the reader--and the dynamics of authority and influence, of gift giving and friendship in this relation--have as much to do with how one writes as what one says. The two writers who serve as the main subjects for this work, the German idealist philosopher G. W. F. Hegel and the Danish Christian existentialist Søren Kierkegaard, invite us to confront particularly challenging questions about the ethics of authorship. Each in his own way explores styles of authorship that employ a variety of strategies of seduction in order to entice the reader into his narratives, strategies that at least on the surface appear to be fundamentally manipulative and unethical. Further, both seek to enact their own deaths as authors, effectively disappearing as reliable guides for the reader. That might also seem to be ethically irresponsible, an abandonment of the reader, who has been seduced only to be deserted. This is the first work to undertake a sustained questioning of Kierkegaard's central distinction between his own "indirect" style of communication and the (purportedly) "direct" style of Hegel's philosophy. Hegel was in fact a much more subtle practitioner of style than Kierkegaard represents him as being, indeed, a practitioner whose style is in the service of an ambitious reconceptualization of the ethics of authorship. As for Kierkegaard, his own indirect style raises a whole series of ethical questions about how the reader is imagined in relation to the author. There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness--but both powerful experiments in the ethics of style.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 7 _aLITERARY CRITICISM / Books & Reading.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780823292912
856 4 0 _uhttps://www.degruyter.com/isbn/9780823292912
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780823292912/original
942 _cEB
999 _c202631
_d202631