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008			230103t20212001nyu fo d z eng d
020			_a9780823221134 _qprint
020			_a9780823297061 _qPDF
024	7		_a10.1515/9780823297061 _2doi
035			_a(DE-B1597)9780823297061
035			_a(DE-B1597)575332
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aREL017000 _2bisacsh
082	0	4	_a821/.7
084			_aonline - DeGruyter
100	1		_aBarth, Robert J. _eautore
245	1	4	_aThe Symbolic Imagination : _bColeridge and the Romantic Tradition / _cRobert J. Barth.
264		1	_aNew York, NY : _bFordham University Press, _c[2021]
264		4	_c©2001
300			_a1 online resource (176 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aStudies in Religion and Literature
505	0	0	_tFrontmatter -- _tCONTENTS -- _tSeries Editor's Introduction -- _tAbbreviations -- _tPreface to the First Edition -- _tPreface to the Second Edition -- _tPast and Present: A Prologue -- _t1. Theological Foundations of Coleridge on Imagination -- _t2. Symbol as Sacrament -- _t3. The Poetry of Reference -- _t4. The Poetry of Encounter: Wordsworth -- _t5. The Poetry of Encounter: Coleridge -- _t6. The Scriptural Imagination -- _t7. Symbol and Romanticism -- _t8. Symbol and Religion: Past and Future -- _tList of Works Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe original edition of this book studied the nature of symbol in Coleridge’s work, showing that it is central to Coleridge’s intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: “This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barth’s interpretation of Coleridge’s doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.” In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridge’s “scriptural imagination.” As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650		7	_aRELIGION / Comparative Religion. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780823297061
856	4	0	_uhttps://www.degruyter.com/isbn/9780823297061
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780823297061/original
942			_cEB
999			_c202915 _d202915