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008 220302t20211992hiu fo d z eng d
020 _a9780824842833
_qPDF
024 7 _a10.1515/9780824842833
_2doi
035 _a(DE-B1597)9780824842833
035 _a(DE-B1597)545145
035 _a(OCoLC)1253312995
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aDRA005010
_2bisacsh
084 _aonline - DeGruyter
245 0 0 _aKabuki :
_bFive Classic Plays.
264 1 _aHonolulu :
_bUniversity of Hawaii Press,
_c[2021]
264 4 _c©1992
300 _a1 online resource (392 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustration Credits --
_tPreface to the Paperback Edition --
_tPreface --
_tIntroduction --
_tSukeroku: Flower of Edo SUKEROKU YUKARI NO EDO ZAKURA --
_tSaint Narukami and the God Fudō NARUKAMI FUDŌ KITAYAMA ZAKURA --
_tChronicle of the Battle of Ichinotani ICHINOTANI FUTABA GUNKI --
_tLove Letter from the Licensed Quarter KURUWA BUNSHÒ --
_tThe Scarlet Princess of Edo SAKURA HIME AZUMA BUNSHŌ --
_tAppendix A Sound Effects: Ki patterns --
_tAppendix B Sound Effects: Tsuke patterns --
_tAppendix C Geza Music Cues --
_tGlossary --
_tSelective Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhile its actors made their entrace down the Flower Way over three hundred years ago, little of kabuki's repertory has been available to English readers. Not only are adequate translations difficult to produce, but also because the spoken parts of the drama constitute but a portion of that grand spectacle, English renderings often have an elliptical quality.These five plays, however, were translated from tapes made by James Brandon at actual performances, imparting to them an unusual immediacy. The superb translations are further enhanced by detailed commentary and stage directions that reflect music and sound effects as well as positions of actors on stage and their stylized gestures and posturing, all of which are such a vital part of a live performance. A concise introduction includes the history of kabuki, its religious background and ties with prostitution, its themes and playwriting systems, and its performance conventions, actors, music, and dance. Appendixes provide a fascinating focus on various sound effects and music cues in performance. More than one hundred production photographs vividly convey the action and emotion of one of the world's greatest stage arts. First published in 1975, this volume remains a classic.A reprint to the 1975 edition. Accepted into the UNESCO Collection of Representative Works, Japanese Series.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 7 _aDRAMA / Asian / Japanese.
_2bisacsh
700 1 _aAbun, Yasuda
_eautore
700 1 _aBrandon, James R.
_eautore
700 1 _aGenshichi, Tsuuchi
_eautore
700 1 _aHanemon, Tsuuchi
_eautore
700 1 _aHanjurō, Tsuuchi
_eautore
700 1 _aItcho, Asada
_eautore
700 1 _aJihei Ii, Tsuuchi
_eautore
700 1 _aJisuke Ii, Sakurada
_eautore
700 1 _aMansuke, Nakada
_eautore
700 1 _aNamboku Iv, Tsuruya
_eautore
700 1 _aNamiki, Geiji
_eautore
700 1 _aNamiki, Sōsuke
_eautore
700 1 _aSōhzō I, Namiki
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780824842833
856 4 0 _uhttps://www.degruyter.com/isbn/9780824842833
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780824842833/original
942 _cEB
999 _c203208
_d203208