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008			220302t20192019hiu fo d z eng d
020			_a9780824856021 _qprint
020			_a9780824856052 _qPDF
024	7		_a10.1515/9780824856052 _2doi
035			_a(DE-B1597)9780824856052
035			_a(DE-B1597)513337
035			_a(OCoLC)1098213341
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aND1043.43 _b.K866 2019
072		7	_aART019000 _2bisacsh
082	0	4	_a759.951 _223
084			_aonline - DeGruyter
100	1		_aKwon, Cheeyun Lilian _eautore
245	1	0	_aEfficacious Underworld : _bThe Evolution of Ten Kings Paintings in Medieval China and Korea / _cCheeyun Lilian Kwon.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2019]
264		4	_c©2019
300			_a1 online resource : _b120 color, 80 b&w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tIntroduction -- _tEVOLUTION OF TEN KINGS PAINTINGS IN CHINA -- _tIntroduction -- _t1. Images of the Ten Kings: Early Traces -- _t2. Transitional Link from Handscroll to Individualized Hanging Scrolls: The Former Packard Set -- _t3. Full Efflorescence in Southern Song Ningbo -- _t4. Post-Song Variations -- _tTHE TEN KINGS CULT IN KORYŎ -- _tIntroduction -- _t5. Buddhist Rituals and the Ten Kings Paintings in Koryŏ -- _t6. The Scripture on the Ten Kings from Haeinsa (1246) -- _tTHE TEN KINGS FROM THE SEIKADŌ BUNKO ART MUSEUM -- _t7. Introduction to the Seikadō Ten Kings -- _t8. The Seikadō Ten Kings as Iconic Images -- _t9. Northern Song Figure-Painting Styles in the Seikadō Ten Kings -- _t10. Northern Song Landscape- and Flower-Painting Styles in the Seikadō Ten Kings -- _t11. Ritual Context: Royal Ancestral Worship in the Buddhist Style -- _tConclusion -- _tAppendix -- _tGlossary -- _tNotes -- _tBibliography -- _tIllustration Credits -- _tIndex -- _tABOUT THE AUTHOR
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe Ten Kings hanging scrolls at Tokyo's Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings' evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture of the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this-in conjunction with a close analysis of the Seikadō paintings-forms the core of Kwon's book. Among the Korean works discussed is a woodblock edition of The Scripture of the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject's permutations during the Koryŏ period (918-1392), when Northern Song (960-1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting.Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea's contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aBuddhist art and symbolism _zChina.
650		0	_aBuddhist art and symbolism _zKorea.
650		0	_aPainting, Chinese _ySong-Yuan dynasties, 960-1368 _xThemes, motives.
650		0	_aPainting, Korean _yKoryŏ period, 935-1392 _xThemes, motives.
650		7	_aART / Asian / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824856052
856	4	0	_uhttps://www.degruyter.com/isbn/9780824856052
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824856052/original
942			_cEB
999			_c203518 _d203518