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001			203548
003			IT-RoAPU
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008			210729t20162016hiu fo d z eng d
020			_a9780824851583 _qprint
020			_a9780824857455 _qPDF
024	7		_a10.1515/9780824857455 _2doi
035			_a(DE-B1597)9780824857455
035			_a(DE-B1597)483711
035			_a(OCoLC)936462990
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aHIS008000 _2bisacsh
082	0	4	_a791.430951 _223
084			_aonline - DeGruyter
100	1		_aBloom, Michelle E. _eautore
245	1	0	_aContemporary Sino-French Cinemas : _bAbsent Fathers, Banned Books, and Red Balloons / _cMichelle E. Bloom; ed. by Sheldon Hsiao-peng Lu.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (296 p.) : _b35 black & white illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aCritical Interventions
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction to Contemporary Sino-French Cinemas -- _tPART ONE. Franco-Taiwanese Cinema -- _t1. The Sino-French as Métissage -- _t2. Intertextuality as Métissage in Tsai Ming-liang's Sino-French Films -- _t3. Hou Hsiao-hsien's Flight of the Red Balloon as a Sino-French Makeover -- _tPART TWO. Franco-Chinese Cinema -- _t4. Translations of Dai Sijie's Balzac and the Little Chinese Seamstress -- _t5. Imitating Frenchness in Emily Tang Xiaobai's Conjugation and Jia Zhangke's The World -- _tConclusions Mixing It Up -- _tNotes -- _tFilmography -- _tBibliography -- _tIndex -- _tAbout the Author
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aTransnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic.As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators.Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
650		0	_aCoproduction (Motion pictures, television, etc.) _zChina.
650		0	_aCoproduction (Motion pictures, television, etc.) _zTaiwan.
650		0	_aMotion pictures _zChina _xHistory.
650		0	_aMotion pictures _zTaiwan _xHistory.
650		7	_aHISTORY / Asia / China. _2bisacsh
700	1		_aLu, Sheldon Hsiao-peng _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824857455
856	4	0	_uhttps://www.degruyter.com/isbn/9780824857455
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780824857455.jpg
942			_cEB
999			_c203548 _d203548