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001 203818
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007 cr || ||||||||
008 230127t20052005hiu fo d z eng d
019 _a(OCoLC)1029834806
019 _a(OCoLC)1032676776
019 _a(OCoLC)1037982017
019 _a(OCoLC)1042006823
019 _a(OCoLC)1046609405
019 _a(OCoLC)1047028838
019 _a(OCoLC)1049674727
019 _a(OCoLC)1054867548
020 _a9780824828851
_qprint
020 _a9780824862749
_qPDF
024 7 _a10.1515/9780824862749
_2doi
035 _a(DE-B1597)9780824862749
035 _a(DE-B1597)483842
035 _a(OCoLC)1024019255
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aNK4340.R3 ǂb P57 2005eb
072 7 _aART019000
_2bisacsh
082 0 4 _a738/.0952/1864
084 _aonline - DeGruyter
100 1 _aPitelka, Morgan
_eautore
245 1 0 _aHandmade Culture :
_bRaku Potters, Patrons, and Tea Practitioners in Japan /
_cMorgan Pitelka.
264 1 _aHonolulu :
_bUniversity of Hawaii Press,
_c[2005]
264 4 _c©2005
300 _a1 online resource (252 p.) :
_b54 illus., 3 maps
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tnote to readers --
_tPreface --
_tIntroduction --
_t1. The Global and the Local in the Origins of the Raku Technique --
_t2. Anomie and Innovation in Kyoto --
_t3. Inventing Early Modern Identity --
_t4. Institutionalization of the Iemoto Gaze --
_t5. Reproduction and Appropriation in the Nationwide Dispersal of the Raku Technique --
_t6. Inventing Modern Identity --
_tEpilogue --
_tNotes --
_tBibliography --
_tIndex --
_tAbout the author
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHandmade Culture is the first comprehensive and cohesive study in any language to examine Raku, one of Japan’s most famous arts and a pottery technique practiced around the world. More than a history of ceramics, this innovative work considers four centuries of cultural invention and reinvention during times of both political stasis and socioeconomic upheaval. It combines scholarly erudition with an accessible story through its lively and lucid prose and its generous illustrations. The author’s own experiences as the son of a professional potter and a historian inform his unique interdisciplinary approach, manifested particularly in his sensitivity to both technical ceramic issues and theoretical historical concerns. Handmade Culture makes ample use of archaeological evidence, heirloom ceramics, tea diaries, letters, woodblock prints, and gazetteers and other publications to narrate the compelling history of Raku, a fresh approach that sheds light not only on an important traditional art from Japan, but on the study of cultural history itself.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650 7 _aART / Asian / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780824862749
856 4 0 _uhttps://www.degruyter.com/isbn/9780824862749
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780824862749/original
942 _cEB
999 _c203818
_d203818